Petra Joy - Background

Background

Joy holds and master’s degree in Film History from the University of Köln. In 1990, She wrote her thesis on the representation of female sexuality in Nazi films. After graduation, she moved to England, where she worked for 10 years as a freelance producer and director for German television. Joy has directed and produced over 70 documentaries for international TV stations such as Channel 4, National Geographic, and WDR. Since 1990, the main focus of her work has been lifestyle and sexuality. A recurring topic was sexuality from a female perspective. Starting in 1992, she produced segments for “Liebe Sünde”, a programme about sex airing on the German satellite station Vox/Pro7.

In 2003, Joy launched Strawberry Seductress, an intimate and creative erotic photo service for women and couples and film production company. In 2004, Joy filmed Sexual Sushi, her first alternative pornographic film for women. Harper Collins published her book How to Make Your Own Adult Video: The Couple’s Guide to Making Sensual Home Movies in 2006. She then shot Female Fantasies and Feeling it, not faking it!. In 2009, Joy established the Petra Joy Award, an international erotic film competition for first-time female directors. She runs “how to make your own creative porn” workshops and speaks on the subject of women and pornography across Europe. Joy curates and produces a feminist porn series called Her Porn and has shot a documentary called The Joy of Porn: My Life as a Feminist Pornographer.

Read more about this topic:  Petra Joy

Famous quotes containing the word background:

    In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.
    Emma Goldman (1869–1940)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)