Railway Series History
Peter Sam first appeared in The Railway Series in the story Sir Handel. This story is set just after Peter Sam and Sir Handel had been purchased by the Thin Controller. Peter Sam (originally named Stuart on the Mid Sodor Railway) was renamed and repainted in the Skarloey Railway livery of red with blue lining.
Peter Sam holds a lot of respect for Skarloey, and often tries his best to prevent Sir Handel from getting into trouble. He is a friendly engine who aims to please, and is highly popular among the coaches. The trucks also respect him because he only bumps the trucks that misbehave.
After an accident on the incline when collecting slate trucks, Peter Sam had difficulty steaming. His funnel was knocked off in a tunnel by an icicle. He was soon fitted with an experimental funnel (a Giesl ejector) which enables him to take heavier loads. At first, the others teased him for it, but they soon learned how it made work much easier for him, and now they even wish they had one like it. Peter Sam's friendliness is what keeps the other engines working happily with him.
Read more about this topic: Peter Sam
Famous quotes containing the words railway, series and/or history:
“Her personality had an architectonic quality; I think of her when I see some of the great London railway termini, especially St. Pancras, with its soot and turrets, and she overshadowed her own daughters, whom she did not understandmy mother, who liked things to be nice; my dotty aunt. But my mother had not the strength to put even some physical distance between them, let alone keep the old monster at emotional arms length.”
—Angela Carter (19401992)
“If the technology cannot shoulder the entire burden of strategic change, it nevertheless can set into motion a series of dynamics that present an important challenge to imperative control and the industrial division of labor. The more blurred the distinction between what workers know and what managers know, the more fragile and pointless any traditional relationships of domination and subordination between them will become.”
—Shoshana Zuboff (b. 1951)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)