Peter Gill (playwright) - Plays

Plays

Plays include:

  • The Sleepers Den, 1965; Royal Court, November 1969
  • Over Gardens Out, Royal Court, November 1969
  • Small Change, Royal Court, February 1976
  • Kick for Touch, National Theatre, February 1983
  • In the Blue. National Theatre, November 1985
  • Mean Tears, National Theatre, July 1987
  • Cardiff East, National Theatre, February 1997
  • The Look Across the Eyes, published 1997
  • Certain Young Men, Almeida Theatre, January 1999
  • Friendly Fire, Crucible Youth Theatre, Sheffield, June 2002
  • Lovely Evening, Theatre 503, March 2005
  • The York Realist, Royal Court, 2002
  • Original Sin, Crucible Sheffield, 2002
  • Another Door Closed, Theatre Royal, Bath, 2009

Adaptations and versions:

  • A Provincial Life (Chekhov), Royal Court, 1966
  • The Merry-Go-Round (D. H. Lawrence), Royal Court, 1973
  • The Cherry Orchard (Chekhov), Riverside Studios, 1978
  • Touch and Go (D. H. Lawrence), Riverside Studios, 1980
  • As I Lay Dying (William Faulkner), National Theatre, 1985
  • The Seagull (Chekhov), RSC, Swan Stratford and Aldwych Theatre, 2000

Read more about this topic:  Peter Gill (playwright)

Famous quotes containing the word plays:

    God has a hard-on for a Marine because we kill everything we see. He plays His game, we play ours.
    Stanley Kubrick (b. 1928)

    Goodbye, boys; I’m under arrest. I may have to go to jail. I may not see you for a long time. Keep up the fight! Don’t surrender! Pay no attention to the injunction machine at Parkersburg. The Federal judge is a scab anyhow. While you starve he plays golf. While you serve humanity, he serves injunctions for the money powers.
    Mother Jones (1830–1930)

    The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.
    Henry Brooks Adams (1838–1918)