Work
The firm has come to be a vehicle for gathering authoritative evidence, as in detailed maps and satellite images, for what is described in the 1989 scientific conference "Global Monitoring and Assessments: Towards the 21st Century" as "ocean-basin monitoring and management." Precise maps mosaiced from aeronautical charts have been produced to include what UNEP documents call "land-based sources of pollution", or all possible terrain for drainage, for each regional sea. This would include, as shown in Documenta in 1992, the Black Sea, Baltic Sea, North Sea and both the entire Mediterranean Sea and subsets thereof, like the Adriatic. The practice of basin mapping has been continued with bays, relying on an Irish law from 1959 defining "hydrometric areas" as any drainage basin for a bay including all bay waters extending out six miles beyond the outermost points of the bay. Such detailed hydrometric-area mapping has been conducted for the British Isles, New Zealand, Italy and parts of the Eastern Europe and both North and South America. Plans for the Adriatic Basin were presented in the Venice Biennale Aperto of 1993, under the label "Oil-Free Corridor." These were pursued further with "On Board", in the 1995 Biennial, curated by Jerome Sans—with action in the Venice Lagoon. Specifics were presented in the Architecture Biennail of 2008. In 2000, he was part of the three person show Ecologies at the Smart Museum of Art in Chicago with Mark Dion and Dan Peterman. Each artist "explored interrelationships between organisms and their surrounding" and Fend's featured work was titled China Basin Plans: The River Dragon Breathes Fire.
Read more about this topic: Peter Fend
Famous quotes containing the word work:
“Isolation in creative work is an onerous thing. Better to have negative criticism than nothing at all.”
—Anton Pavlovich Chekhov (1860–1904)
“The true poem is not that which the public read. There is always a poem not printed on paper,... in the poet’s life. It is what he has become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince’s gallery.”
—Henry David Thoreau (1817–1862)
“The woman and the genius do not work. Up to now, woman has been mankind’s supreme luxury. In all those moments when we do our best, we do not work. Work is merely a means to these moments.”
—Friedrich Nietzsche (1844–1900)