Peter Cooley - Poetry Collections

Poetry Collections

  • The Company of Strangers (Pittsburgh: Carnegie Mellon University Press, 1975)
  • The Room Where Summer Ends (Pittsburgh: Carnegie Mellon University Press, 1979)
  • Nightseasons (Pittsburgh: Carnegie Mellon University Press, 1983)
  • The Van Gogh Notebook (Pittsburgh: Carnegie Mellon University Press, 1987)
  • The Astonished Hours (Pittsburgh: Carnegie Mellon University Press, 1992)
  • Sacred Conversations (Pittsburgh: Carnegie Mellon University Press, 1998)
  • A Place Made of Starlight (Pittsburgh: Carnegie Mellon University Press, 2003)
  • Divine Margins (Pittsburgh: Carnegie Mellon University Press, 2009)

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    Prose—it might be speculated—is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of “communication”; the other is private, allusive, teasing, sly, idiosyncratic as the spider’s delicate web, a kind of witchcraft unfathomable to ordinary minds.
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    Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.
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