Pete Wentz - Early Life

Early Life

Wentz was born Peter Lewis Kingston Wentz III, in Wilmette, Illinois, a suburb of Chicago, Illinois. He is the son of Dale (Lewis), a high school admissions counselor, and Pete Wentz II, an attorney. His mother's family immigrated from Jamaica. His Black maternal grandfather, Arthur Winston Lewis, served as the U.S. Ambassador to Sierra Leone; Arthur Winston Lewis' cousin is General Colin Powell.

Wentz' parents met while campaigning for now-Vice President Joe Biden in the 1970s. Wentz recalled in a Rolling Stone interview that his earliest musical memory was listening to The Foundations' song "Build Me Up Buttercup" in the back of his father's car. Wentz attended New Trier High School and North Shore Country Day School, where he was an all-state soccer player. He considered pursuing a professional career in the sport, but decided that music was a more fulfilling choice; he says that he "always had a magical connection to the ball. But it didn't feel like an adventure. Music was more of a challenge and, in the end, felt more interesting."

During his freshman year of high school, he began skipping school regularly, and a school counselor convinced his parents to send him to boot camp to straighten him out. During this time, Wentz began writing songs as a way to vent his frustrations. He began taking piano lessons afterwards, and adopted a straight edge lifestyle. However, he now drinks occasionally. After graduating from high school in 1997, he attended DePaul University where he studied political science, dropping out one quarter shy of graduation to focus on his music career.

Read more about this topic:  Pete Wentz

Famous quotes containing the words early and/or life:

    The conviction that the best way to prepare children for a harsh, rapidly changing world is to introduce formal instruction at an early age is wrong. There is simply no evidence to support it, and considerable evidence against it. Starting children early academically has not worked in the past and is not working now.
    David Elkind (20th century)

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)