Content
The Shahnameh provides a poetic account of the prehistory and history of Iran, beginning with the creation of the world and the introduction of the arts of civilization (fire, cooking, metallurgy, law), and ending with the Islamic Conquest of Persia. The work is not precisely chronological, but there is a general movement through time. Some of the characters live for hundreds of years but most have normal life spans. There are many shāhs who come and go, as well as heroes and villains, who also come and go. The only lasting images are that of Greater Persia itself, and a succession of sunrises and sunsets, no two ever exactly alike, yet illustrative of the passage of time.
The work is divided into three successive parts: the "mythical", "heroic", and "historical" ages.
Father Time, a Saturn-like image, is a reminder of the tragedy of death and loss, yet the next sunrise comes, bringing with it hope of a new day. In the first cycle of creation, evil is external (the devil). In the second cycle, we see the beginnings of family hatred, bad behavior, and evil permeating human nature. Shāh Fereydūn's two eldest sons feel greed and envy toward their innocent younger brother and, thinking their father favors him, they murder him. The murdered prince's son avenges the murder, and all are immersed in the cycle of murder and revenge, blood and more blood. In the third cycle, we encounter a series of flawed shahs. There is a Phaedra-like story of Shāh Kay Kāvus, his wife Sūdābeh, and her passion and rejection by her stepson, Sīyāvash. In the next cycle, all the players are unsympathetic and selfish and evil. This epic on the whole is darker over all than most other epics, most of which have some sort of resolution and catharsis. This tone seems reflective of two things, perhaps: the conquest of Sassanid Iran, and a reflection on the last days of Persian Zoroastrianism.
It is only in the characterizations of the work's many figures, both male and female, that Zoroaster's original view of the human condition comes through. Zoroaster emphasized human free will. All of Ferdowsi's characters are complex; none is an archetype or a puppet. The best characters have flaws, and the worst have moments of humanity.
Nationalist historiography in Iran has claimed that Ferdowsi was grieved by the fall of the Sassanid Empire and its subsequent rule by "Arabs" and "Turks". The Shahnameh, the argument goes, is largely his effort to preserve the memory of Persia's golden days and transmit it to a new generation so that they could learn and try to build a better world. Though the preservation of the pre-Islamic mythistorical legacy seems to be among Ferdowsi's main concerns, however a number of authors have formally challenged these views.
Read more about this topic: Persian Quran
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