Film Career
Moore was an executive producer of The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. Moore spent several years seeking the movie rights to the seven novels by C. S. Lewis which comprise the Narnia books. Moore's persistence proved critical for Walden Media in winning the rights; an obituary in Variety called his role "instrumental". As the New York Times reported in 2005: "At the beginning of 2001, Perry Moore embarked on a forbidding quest. Mr. Moore, an executive with an untested movie company called Walden Media, dispatched an impassioned letter to the chief executive of the C. S. Lewis Company, seeking movie rights to the much-loved Chronicles of Narnia fantasy novels." After a meeting of executives, a handshake sealed the deal for the rights. Moore continued his role as executive producer with Prince Caspian (2008) and The Voyage of the Dawn Treader (2010).
He co-wrote and co-directed (with life partner Hunter Hill) the 2008 film Lake City, a drama that tells the story of a mother (Sissy Spacek) and son (Troy Garity) who reunite under desperate circumstances years after a family tragedy drove them apart. He also co-produced (again with Hill) a Spike Jonze-directed 2010 documentary (Tell Them Anything You Want: A Portrait of Maurice Sendak) about children's book author and illustrator Maurice Sendak.
In early 2010, Moore said he and Hill were planning to co-direct a feature film to star actress Julianne Moore. The night before he died, Moore told his father that he had just secured financing for a fourth Narnia movie based on the book The Magician's Nephew.
Read more about this topic: Perry Moore
Famous quotes containing the words film and/or career:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (18881959)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)