Performance Studies - Performance Studies and Performance Art

Performance Studies and Performance Art

Performance studies has a long-standing and complex relationship to the practice of performance art, also known as live art or visual art performance.

Some key companies and practitioners who are widely considered to be working within this field include: Karen Finley, Robert Lepage, Ariane Mnouchkine and the Theatre du Soleil, Robert Wilson, Forced Entertainment (UK), Pina Bausch, Trisha Brown, DV8 Physical theater, The Wooster Group (New York), Anne Bogart and The Siti Company (New York), and Jan Fabre (Belgium). Other artists, generally outside the European avant-garde theatre, who have been instrumental to the development of analysis in the field include: Carmelita Tropicana, Holly Hughes, Tim Miller, Annie Sprinkle, John Leguizamo, Guillermo Gomez-Peña, Coco Fusco, Ruby Tru, Linda Montano, Vaginal Davis, Lois Weaver, Peggy Shaw, Anna Deveare Smith, Robbie McCauley, Marga Gomez, Dan Kwong, Diamanda Galas, Ron Athey, Reverend Billy, Ana Mendieta, Deb Margolis, Terry Galloway, Eric Bogosian, Danny Hoch, Quentin Crisp, Justin Bond and Kenny Mellman aka Kiki and Herb, Rachel Rosenthal, Spalding Gray, Laurie Anderson, Rhodessa Jones, Bill T. Jones, Luis Alfaro, Reno, John Fleck, Keith Hennessy and Meredith Monk.

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Famous quotes containing the words performance, studies and/or art:

    They say all lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one.
    William Shakespeare (1564–1616)

    You must train the children to their studies in a playful manner, and without any air of constraint, with the further object of discerning more readily the natural bent of their respective characters.
    Plato (c. 427–347 B.C.)

    Soldiering, my dear madam, is the coward’s art of attacking mercilessly when you are strong, and keeping out of harm’s way when you are weak. That is the whole secret of successful fighting. Get your enemy at a disadvantage; and never, on any account, fight him on equal terms.
    George Bernard Shaw (1856–1950)