Performance Studies and Performance Art
Performance studies has a long-standing and complex relationship to the practice of performance art, also known as live art or visual art performance.
Some key companies and practitioners who are widely considered to be working within this field include: Karen Finley, Robert Lepage, Ariane Mnouchkine and the Theatre du Soleil, Robert Wilson, Forced Entertainment (UK), Pina Bausch, Trisha Brown, DV8 Physical theater, The Wooster Group (New York), Anne Bogart and The Siti Company (New York), and Jan Fabre (Belgium). Other artists, generally outside the European avant-garde theatre, who have been instrumental to the development of analysis in the field include: Carmelita Tropicana, Holly Hughes, Tim Miller, Annie Sprinkle, John Leguizamo, Guillermo Gomez-Peña, Coco Fusco, Ruby Tru, Linda Montano, Vaginal Davis, Lois Weaver, Peggy Shaw, Anna Deveare Smith, Robbie McCauley, Marga Gomez, Dan Kwong, Diamanda Galas, Ron Athey, Reverend Billy, Ana Mendieta, Deb Margolis, Terry Galloway, Eric Bogosian, Danny Hoch, Quentin Crisp, Justin Bond and Kenny Mellman aka Kiki and Herb, Rachel Rosenthal, Spalding Gray, Laurie Anderson, Rhodessa Jones, Bill T. Jones, Luis Alfaro, Reno, John Fleck, Keith Hennessy and Meredith Monk.
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Famous quotes containing the words performance, studies and/or art:
“Tennis is more than just a sport. It’s an art, like the ballet. Or like a performance in the theater. When I step on the court I feel like Anna Pavlova. Or like Adelina Patti. Or even like Sarah Bernhardt. I see the footlights in front of me. I hear the whisperings of the audience. I feel an icy shudder. Win or die! Now or never! It’s the crisis of my life.”
—Bill Tilden (1893–1953)
“The conduct of a man, who studies philosophy in this careless manner, is more truly sceptical than that of any one, who feeling in himself an inclination to it, is yet so over-whelm’d with doubts and scruples, as totally to reject it. A true sceptic will be diffident of his philosophical doubts, as well as of his philosophical conviction; and will never refuse any innocent satisfaction, which offers itself, upon account of either of them.”
—David Hume (1711–1776)
“We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge.”
—Vladimir Nabokov (1899–1977)