Academic Programs in Performance Studies
Performance studies incorporates theories of drama, dance, art, anthropology, folkloristics, philosophy, cultural studies, psychology, sociology, comparative literature, and more and more, music performance. More can be found out by reading Schechner's book: Performance Studies: An Introduction or in D. Soyini Madison and Judith Hamera's The Sage Handbook for Performance Studies. The first performance studies department was created at NYU. However, there is some debate that the joint-cradles of Performance Studies are Northwestern University and NYU. For more information on the different origins and disciplinary traditions of performance studies see Shannon Jackson's book Professing Performance and the introductory chapter in Nathan Stucky and Cynthia Wimmer's Teaching Performance Studies. Generally the differences between the NYU and Northwestern models cite different disciplinary concerns. NYU is generally characterized as a program that pushed the definitions of theatrical practice influenced by the thearical avant-garde thus expanding its definition of what can be framed as an event. Interaction with departments that include NYU's Postdoctoral Program in Psychoanalysis and Psychotherapy have made this an ongoing pursuit. Northwestern transitioned from an elocution and performance of literature tradition to expand its definition of presentational aesthetics beyond oral interpretation. Northwestern's unique brand of performance studies has its origins in anthropology, having been started by the ethnographer Dwight Conquergood with the goal of understanding all manner of local cultures through their performance practices. In both instances a focus on practice lead to a research methodology beyond theatre or literature/speech. In the United States, the interdisciplinary and multi-focus field has spread to Brown, UC Berkeley, and elsewhere. Undergraduate and graduate programs are offered at UC Davis, Louisiana State University, Southern Illinois University Carbondale, California State University, Northridge, San Jose State University, University of San Diego, University of Maryland, and the University of North Carolina Chapel Hill. Texas A&M University’s Department of Performance Studies is unique in including both Music and Theatre degree programs.
In the United Kingdom Aberystwyth University offers a degree scheme in performance studies with highly acclaimed performance artists such as Mike Pearson, Heike Roms and Jill Greenhalgh.
In Denmark Roskilde University offers a master and ph.d. degree in "performance design", focusing on subjects such as theatrical performances, live music, festivals, and urban performances.
In India, the research initiatives of Centre for Performance Research and Cultural Studies in South Asia (cpracsis) focus on redefining methodologies of cultural studies and research on the basis of the nuances of performance studies.
In Australia, the University of Sydney, Victoria University and Queensland University of Technology offer degrees majoring in performance studies, Honours, Masters and Phd. Performance Studies in some countries is also an A-level (AS and A2) course consisting of the integration of the discrete art forms of Dance, Music and Drama in performing arts.
A new generation of researchers have also joined the faculty ranks at these and other institutions and evidence the continued expansion and rejuvenation of the field. These scholars include: Patrick Anderson (UCSD), Christine Balance (UC Irvine), Robin Bernstein (Harvard), Henry Bial (Kansas), Rachel Bowditch (ASU), Brandi Catanese (Berkeley), Renee Alexander Craft (UNC), Craig Gingrich-Philbrook (Southern Illinois), Brian Herrera (Princeton), Suk-Young Kim (UCSB), Branislav Jacovljevic (Stanford), Jill Lane (NYU), Eng-Beng Lim (Brown), Paige McGinley (Yale), Jisha Menon (Stanford), Tavia Nyongo (NYU), Tony Perucci (UNC), Matthew Spangler (San Jose State), Jennifer Parker-Starbuck (Roehampton), Jeffrey Q. McCune, Jr. (UMD), Laurie Frederik Meer (UMD), Ramon Rivera-Servera (Northwestern), Theresa Smalec (CUNY), Shannon Steen (Berkeley), David Terry (San Jose State), Alexandra Vasquez (Princeton), Shane Vogel (Indiana), E.J. Westlake (Michigan), Maurya Wickstrom (CUNY), Patricia Ybarra (Brown), and Harvey Young (Northwestern).
Read more about this topic: Performance Studies
Famous quotes containing the words academic, programs, performance and/or studies:
“Being in a family is like being in a play. Each birth order position is like a different part in a play, with distinct and separate characteristics for each part. Therefore, if one sibling has already filled a part, such as the good child, other siblings may feel they have to find other parts to play, such as rebellious child, academic child, athletic child, social child, and so on.”
—Jane Nelson (20th century)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video pastthe portrayals of family life on such television programs as Leave it to Beaver and Father Knows Best and all the rest.”
—Richard Louv (20th century)
“The child to be concerned about is the one who is actively unhappy, [in school].... In the long run, a childs emotional development has a far greater impact on his life than his school performance or the curriculums richness, so it is wise to do everything possible to change a situation in which a child is suffering excessively.”
—Dorothy H. Cohen (20th century)
“...Womens Studies can amount simply to compensatory history; too often they fail to challenge the intellectual and political structures that must be challenged if women as a group are ever to come into collective, nonexclusionary freedom.”
—Adrienne Rich (b. 1929)