Perdita Durango - Critique

Critique

The character of Perdita Durango had appeared previously as a minor character in Wild at Heart, another of Gifford's novels. In David Lynch's film adaptation of that novel, she was played by Isabella Rossellini.

The film is at its most horrific in the scenes where Romeo engages in practices labelled santería, though in reality these have little or nothing to do with Santería as it is practised in Cuba. In one ritualistic scene, he drenches himself in blood and smothers his face in a bag of cocaine. He then hacks limbs off a corpse, tears out its heart and writhes around on the ground, channeling multitudes of demons. De La Iglesia contrasts these scenes with gallows humour. Romeo may be a vicious killer but he also loves the music of Herb Alpert. There is a scene where he and Perdita happily groove to "Spanish Flea". Gandolfini's character speaks with a weasely lisp and has the misfortune of being repeatedly hit by fast moving vehicles, not unlike a live-action Wile E. Coyote.

Perdita Durango is a curious oddity in De La Iglesia's oeuvre. It is his most overt attempt to crack the North American market (where he has only a small but dedicated following) with his first English-speaking film and a cast of recognizable actors like Rosie Perez, James Gandolfini and Javier Bardem. This alienated his Hispanic fans who felt that he had sold out, while his penchant for graphic sex and violence scared off potential distributors and mainstream audiences in North America, sending the movie direct to video. This film is a blend of genres (crime, horror, comedy, road trip) with an eclectic cast that features his regular favourites (Santiago Segura) and colourful character actors (Screamin' Jay Hawkins).