Writing
Pinkerton published some volumes of his own poetry: Galeazzo, a Venetian Episode: with other Poems (Venice and London, 1886), which was praised by John Addington Symonds; Adriatica (1894), At Hazebro' (1909) and Nerina, a lyrical drama in three acts (Cambridge, 1927). He also wrote for the Magazine of Art, and in 1889 edited Christopher Marlowe's plays. However most of his literary work consisted of English translations of European songs and literature. He was a member of the late-Victorian Lutetian Society, a group dedicated to unexpurgated translations of the works of Émile Zola which also included Ernest Dowson, Havelock Ellis, Arthur Symons, Victor Plarr and Alexander Teixeira de Mattos. He translated other works from German, Italian, French, and Russian.
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“It seems to me that since I’ve had children, I’ve grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.”
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“One can write out of love or hate. Hate tells one a great deal about a person. Love makes one become the person. Love, contrary to legend, is not half as blind, at least for writing purposes, as hate. Love can see the evil and not cease to be love. Hate cannot see the good and remain hate. The writer, writing out of hatred, will, thus, paint a far more partial picture than if he had written out of love.”
—Jessamyn West (1902–1984)