Writing
Pinkerton published some volumes of his own poetry: Galeazzo, a Venetian Episode: with other Poems (Venice and London, 1886), which was praised by John Addington Symonds; Adriatica (1894), At Hazebro' (1909) and Nerina, a lyrical drama in three acts (Cambridge, 1927). He also wrote for the Magazine of Art, and in 1889 edited Christopher Marlowe's plays. However most of his literary work consisted of English translations of European songs and literature. He was a member of the late-Victorian Lutetian Society, a group dedicated to unexpurgated translations of the works of Émile Zola which also included Ernest Dowson, Havelock Ellis, Arthur Symons, Victor Plarr and Alexander Teixeira de Mattos. He translated other works from German, Italian, French, and Russian.
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Famous quotes containing the word writing:
“I have spent so long erecting partitions around the part of me that writes—learning how to close the door on it when ordinary life intervenes, how to close the door on ordinary life when it’s time to start writing again—that I’m not sure I could fit the two parts of me back together now.”
—Anne Tyler (b. 1941)
“In my writing I am acting as a map maker, an explorer of psychic areas ... a cosmonaut of inner space, and I see no point in exploring areas that have already been thoroughly surveyed.”
—William Burroughs (b. 1914)
“It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one.”
—M.F.K. Fisher (b. 1908)