Writing
Pinkerton published some volumes of his own poetry: Galeazzo, a Venetian Episode: with other Poems (Venice and London, 1886), which was praised by John Addington Symonds; Adriatica (1894), At Hazebro' (1909) and Nerina, a lyrical drama in three acts (Cambridge, 1927). He also wrote for the Magazine of Art, and in 1889 edited Christopher Marlowe's plays. However most of his literary work consisted of English translations of European songs and literature. He was a member of the late-Victorian Lutetian Society, a group dedicated to unexpurgated translations of the works of Émile Zola which also included Ernest Dowson, Havelock Ellis, Arthur Symons, Victor Plarr and Alexander Teixeira de Mattos. He translated other works from German, Italian, French, and Russian.
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“In my writing I am acting as a map maker, an explorer of psychic areas ... a cosmonaut of inner space, and I see no point in exploring areas that have already been thoroughly surveyed.”
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“In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,—can go far and live long.”
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