The Collection
The collection dates back to 1927 when many of the items in the Forbidden City were being sold off by eunuchs and other members of the Imperial Household Department. The Dowager Empress is said to have used many items as collateral for loans from various Chinese banks in 1901. Sir Percival David convinced the officials to mount a display of many of the best items. When they started to come on the market, David managed to buy some forty pieces one way or the other and export them to the United States. In 1930, he again returned to China and helped with various exhibitions and produced a series of catalogues of the pieces. He also managed to acquire more items through various dealers in Beijing. This means that many pieces were once owned by the Qing Emperors and several pieces have inscriptions added by the orders of the Emperor Qianlong (1736–95).
In 1931, David's collection was displayed in the Dorchester Hotel in London. It remained there until it was evacuated to the countryside during World War II. Sir Percival David also created a Chair in Chinese Art and Architecture with the Courtauld Institute of Art, which is part of the University of London. Towards the end of his life he was determined to keep the collection together and to this end entered negotiations with the University of London. An agreement was reached to keep the collection and the library together in a Foundation attached to SOAS. The Chair that David had created was also moved to SOAS. Just before the opening of the Collection, the Foundation was also given a small collection of porcelain belonging to Mountstuart Elphinstone. The Collection was opened to the public on 10 June 1952 in a house in Gordon Square, Bloomsbury.
The Foundation has been a generous lender to other countries. It lent many items of Yuan Dynasty porcelain to Venice's 700th-anniversary celebration of Marco Polo's expedition. It has also sent other items to places as far away as Japan and the United States.
The Library collection was a working library and as such was open to researchers from around the world.
Read more about this topic: Percival David Foundation Of Chinese Art
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