People's Instinctive Travels And The Paths Of Rhythm
People's Instinctive Travels and the Paths of Rhythm is the debut album by the alternative hip hop group A Tribe Called Quest, released April 17, 1990 (see 1990 in music) on Jive Records. Though the album was well-received critically, it had little mainstream appeal. The album did earn the band a devoted following, however, within the alternative hip hop community. People's Instinctive Travels was praised for its lyrical inventiveness and bizarre sense of humor, mixed with socially aware and literate message tracks. The record was given the perfect rating of 5 mics in The Source in 1990. It is one of three A Tribe Called Quest albums included in The Source's 100 Best Rap Albums. It also was certified gold by the RIAA on January 17, 1996.
Critical reviews were generally positive, but many felt that the group's effort was immature and unfocused. John Bush of allmusic writes "Tribe perhaps experimented too much on their debut, but they succeeded at much of it, certainly enough to show much promise as a new decade dawned".
Read more about People's Instinctive Travels And The Paths Of Rhythm: Track Listing, Timing Misprints in Liner Notes, Accolades, Album Singles, Album Chart Positions, Singles Chart Positions, Personnel
Famous quotes containing the words instinctive, travels, paths and/or rhythm:
“Biological possibility and desire are not the same as biological need. Women have childbearing equipment. For them to choose not to use the equipment is no more blocking what is instinctive than it is for a man who, muscles or no, chooses not to be a weightlifter.”
—Betty Rollin (b. 1936)
“In all my travels I never met with any one Scotchman but what was a man of sense: I believe everybody of that country that has any, leaves it as fast as they can.”
—Francis Lockier (1668–1740)
“Now it is the time of night
That the graves, all gaping wide,
Every one lets forth his sprite
In the church-way paths to glide.”
—William Shakespeare (1564–1616)
“There are those who dance to the rhythm that is played to them, those who only dance to their own rhythm, and those who don’t dance at all.”
—José Bergamín (1895–1983)