History of Composition
| Years | Material |
|---|---|
| 1793–1857 | 100% copper |
| 1857–1864 | 88% copper, 12% nickel (also known as NS-12) |
| 1864–1942 | bronze (95% copper, 5% tin and zinc) |
| 1943 | zinc-coated steel (also known as 1943 steel cent) |
| 1944–1946 | brass (95% copper, 5% zinc) |
| 1946–1962 | bronze (95% copper, 5% tin and zinc) |
| 1962–1981 | brass (95% copper, 5% zinc) |
| 1982 | varies, (95% copper, 5% zinc) or (97.5% zinc, 2.5% copper) |
| 1983–present | 97.5% zinc, 2.5% copper (core: 99.2% zinc, 0.8% copper; plating: pure copper) |
In honor of the Lincoln cent's 100th anniversary special 2009 cents were minted for collectors in the same composition as the 1909 coins.
The isotope composition of early coins spanning the period of 1828 to 1843 cents reflects that of copper from Cornwall ores from England while coins after 1850 that from the Keweenaw Peninsula, Michigan ores, a finding consistent with historical records.
In 1943, at the peak of World War II, zinc-coated steel cents were made for a short time because of war demands for copper. A few copper cents from 1943 were produced from the 1942 planchets remaining in the bins. Similarly, some 1944 steel cents have been confirmed. From 1944 through 1946, salvaged ammunition shells made their way into the minting process, and it was not uncommon to see coins featuring streaks of brass or having a considerably darker finish than other issues.
During the early 1970s, the price of copper rose to a point where the cent contained almost one cent's worth of copper. This led the Mint to test alternative metals, including aluminum and bronze-clad steel. Aluminum was chosen, and over 1.5 million of these pennies were struck and ready for public release before ultimately being rejected. The proposed aluminum pennies were rejected for two reasons: vending machine owners complained the coins would cause mechanical problems; and pediatricians and pediatric radiologists pointed out that the radiodensity of the metal inside the respiratory and gastrointestinal tracts was close to that of soft tissue, and the coins would therefore be difficult to detect in X-ray imaging. One aluminum cent was donated to the Smithsonian Institution.
The cent's composition was changed in 1982 because the value of the copper in the coin started to rise above one cent. This was mainly caused by inflation. Some 1982 pennies use the 97.5% zinc composition, while others used the 95% copper composition.
Distinguishing between the bronze and copper cents and the newer, zinc cents can be done by dropping the coin on a solid surface. The predominantly copper coins produce a higher-pitched ringing sound, while the zinc coins make a lower-pitched "clunk". In addition, a full 50-cent roll of pre-1982/3 coins weighs 5.4 oz. compared to a post 1982/83 roll which weighs 4.4 oz.
Mintage figures for the Lincoln cent can be found at Lincoln cent mintage figures.
Read more about this topic: Penny (United States Coin)
Famous quotes containing the words history of, history and/or composition:
“We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)
“In front of these sinister facts, the first lesson of history is the good of evil. Good is a good doctor, but Bad is sometimes a better.”
—Ralph Waldo Emerson (1803–1882)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)