Description
Named after the family that owned the land upon which it was developed, the Pellissier Building is a 12-story steel-reinforced concrete office tower. Set upon a two story pedestal that contains ground floor retail and the theater entrance, the tower has narrow vertical windows that sweep the eye upward and create the illusion of a much taller building (buildings in Los Angeles were restricted from being higher than the city hall until the late 1950s). The blue-green glazed architectural terra-cotta tile-covered tower is an example of French Zig-Zag Moderne styling.
The entrance to the Wiltern Theatre is flanked by large vertical neon signs while patrons approach the ticket booth set back among colorful terrazzo paving. The Wiltern Theatre's interior was designed by G. Albert Lansburgh and is renowned for its Art Deco design containing decorative plaster and tile work along with colorful murals painted by Anthony Heinsbergen. The most dramatic element of the design is the sunburst on the ceiling of the auditorium, with each ray its own Art Deco skyscraper—G. Albert Lansburgh's vision of the future of Wilshire Boulevard. When the Wiltern Theatre first opened it also housed the largest theater pipe organ in the western United States.
Both the Wiltern Theatre and the Pellissier Building have been named to the National Register of Historic Places and declared a Los Angeles Historic-Cultural Monument by the City of Los Angeles.
Read more about this topic: Pellissier Building And Wiltern Theatre
Famous quotes containing the word description:
“Do not require a description of the countries towards which you sail. The description does not describe them to you, and to- morrow you arrive there, and know them by inhabiting them.”
—Ralph Waldo Emerson (1803–1882)
“To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.”
—Oscar Wilde (1854–1900)
“I was here first introduced to Joe.... He was a good-looking Indian, twenty-four years old, apparently of unmixed blood, short and stout, with a broad face and reddish complexion, and eyes, methinks, narrower and more turned up at the outer corners than ours, answering to the description of his race. Besides his underclothing, he wore a red flannel shirt, woolen pants, and a black Kossuth hat, the ordinary dress of the lumberman, and, to a considerable extent, of the Penobscot Indian.”
—Henry David Thoreau (1817–1862)