Description
Named after the family that owned the land upon which it was developed, the Pellissier Building is a 12-story steel-reinforced concrete office tower. Set upon a two story pedestal that contains ground floor retail and the theater entrance, the tower has narrow vertical windows that sweep the eye upward and create the illusion of a much taller building (buildings in Los Angeles were restricted from being higher than the city hall until the late 1950s). The blue-green glazed architectural terra-cotta tile-covered tower is an example of French Zig-Zag Moderne styling.
The entrance to the Wiltern Theatre is flanked by large vertical neon signs while patrons approach the ticket booth set back among colorful terrazzo paving. The Wiltern Theatre's interior was designed by G. Albert Lansburgh and is renowned for its Art Deco design containing decorative plaster and tile work along with colorful murals painted by Anthony Heinsbergen. The most dramatic element of the design is the sunburst on the ceiling of the auditorium, with each ray its own Art Deco skyscraper—G. Albert Lansburgh's vision of the future of Wilshire Boulevard. When the Wiltern Theatre first opened it also housed the largest theater pipe organ in the western United States.
Both the Wiltern Theatre and the Pellissier Building have been named to the National Register of Historic Places and declared a Los Angeles Historic-Cultural Monument by the City of Los Angeles.
Read more about this topic: Pellissier Building And Wiltern Theatre
Famous quotes containing the word description:
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (18861965)
“God damnit, why must all those journalists be such sticklers for detail? Why, theyd hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.”
—Lyndon Baines Johnson (19081973)
“I fancy it must be the quantity of animal food eaten by the English which renders their character insusceptible of civilisation. I suspect it is in their kitchens and not in their churches that their reformation must be worked, and that Missionaries of that description from [France] would avail more than those who should endeavor to tame them by precepts of religion or philosophy.”
—Thomas Jefferson (17431826)