Peep Show (TV Series) - Production

Production

Writers Jesse Armstrong and Sam Bain met actors and writers David Mitchell and Robert Webb during a failed attempt to complete a team-written sitcom for the BBC. They had an old, unproduced script that they wanted to revive called All Day Breakfast and brought in Mitchell and Webb to help out. The show did not work out but the four developed as a partnership, and one idea eventually evolved into Peep Show for Channel 4. Peep Show was originally conceived as a sitcom in the style of Beavis and Butt-head revolving around two characters watching and discussing television. However, the idea was dropped due to the large expense that airing clips from other shows would bring as well as Mitchell and Webb's fear that, because their characters would only be watching television, " wouldn't be in the show".

Instead Armstrong and Bain opted to produce a more story-based sitcom with an unconventional filming style. The events of the two main characters' lives are seen almost exclusively from their own points of view with a voiceover providing their internal thoughts. Scenes in the show are sometimes filmed using cameras strapped to the actors' heads, or attached to a hat, to give the viewer a point of view identical to that of the protagonists. The quality of footage captured with this method is sometimes poor and the technique has been used less and less in recent series. When head-mounted cameras are not used, scenes are filmed with the camera being held over the actor's shoulder, or directly in front of their face; each scene is therefore shot multiple times from different angles. Armstrong and Bain's choice of the style was influenced by the 2000 Channel 4 documentary Being Caprice about the model Caprice Bourret which featured a similar technique that had in turn been copied from the 1999 film Being John Malkovich. Bain noted: "So it's a third-hand steal, really. We thought it would be great for comedy, hearing someone else's thoughts. The voices give you a whole other dimension in terms of jokes." The idea for using voiceovers came from a scene in the Woody Allen film Annie Hall in which the true feelings of the characters are conveyed by subtitles. The POV technique separates Peep Show from other sitcoms and Mitchell claims that without it Peep Show would be similar to shows like Spaced and Men Behaving Badly.

Two pilots were filmed for the show which allowed Armstrong and Bain to firmly develop and finalise the style of the show. Armstrong said: "on the run of doing those two pilots we really created the show in the way that you couldn't if you hadn't tried it out." In the original pilot Olivia Colman's character Sophie Chapman had a voice-over as well as Mitchell and Webb's characters Mark and Jeremy. The POV technique was also restricted solely to the character thinking at the time; it was later expanded so that the view could come from a third party. Bain and Armstrong are the show's principal writers and Mitchell and Webb provide additional material. Many storylines come from experiences in the writers' lives, particularly Bain's. For example, the series 5 episode "Burgling" sees Mark apprehend a burglar by sitting on him, something Bain once did in a video shop before he was told to get off as he was scaring the customers. The writing for each series takes place seven to eight months before filming begins; once each episode is mapped out scene by scene they must be approved by the producer Andrew O'Connor and Channel 4. Rehearsals take two weeks and filming lasts for six to seven weeks.

For the first two series the scenes set in Mark and Jeremy's flat were filmed in a real property in Croydon, where the show takes place. The flat's owners did not allow it to be used for series 3 and so a replica was constructed in a carpet warehouse in Neasden.

The theme tune for the first series was an original composition by Daniel Pemberton and is featured on his TVPOPMUZIK album, and can be heard on his Myspace page. Since the second series the theme music has been the song "Flagpole Sitta" by the American band Harvey Danger (although the original first series composition is still heard briefly during scene changes). A working title for the programme was POV, as noted by David Mitchell on the DVD commentary for the first episode of the first series.