Peace and Truce of God - Classical and Pagan Precedents

Classical and Pagan Precedents

Romans in the pagan traditions commonly used a similar phrase "peace of the gods", meaning when the gods were at peace, when the gods were not causing trouble, such as earthquakes or war, otherwise known as Ira Deorum (The Wrath of the Gods). The object of Roman religion was to secure the cooperation, benevolence, and "peace" of the gods, hence Pax Deorum.

The eighteenth-century historian Edward Gibbon, interpreting Tacitus, Germania §40, detected a parallel among the pagan German tribes who worshipped a goddess of the earth (identified by modern scholars with Nerthus) who in Gibbon's interpretation resided at the island of Rügen, who annually travelled to visit the tribes. "During her progress the sound of war was hushed, quarrels were suspended, arms laid aside, and the restless Germans had an opportunity of tasting the blessings of peace and harmony. The truce of God, so often and so ineffectually proclaimed by the clergy of the eleventh century, was an obvious imitation of this ancient custom."

Read more about this topic:  Peace And Truce Of God

Famous quotes containing the words classical and, classical, pagan and/or precedents:

    Classical and romantic: private language of a family quarrel, a dead dispute over the distribution of emphasis between man and nature.
    Cyril Connolly (1903–1974)

    Classical art, in a word, stands for form; romantic art for content. The romantic artist expects people to ask, What has he got to say? The classical artist expects them to ask, How does he say it?
    —R.G. (Robin George)

    Fashion is primitive in its insistence on exhibitionism, which withers in isolation. The catwalk fashion show with its incandescent hype is its apotheosis. A ritualized gathering of connoiseurs and the spoilt at a spotlit parade of snazzy pulchritude, it is an industrialized version of the pagan festivals of renewal. At the end of each seasonal display, a priesthood is enjoined to carry news of the omens to the masses.
    Stephen Bayley (b. 1951)

    The Crucifixion and other historical precedents notwithstanding, many of us still believe that outstanding goodness is a kind of armor, that virtue, seen plain and bare, gives pause to criminality. But perhaps it is the other way around.
    Mary McCarthy (1912–1989)