Theater
Stone made her debut in May 1925 at the Illinois Theater in Chicago, Illinois, in Stepping Stones. She was 13 years old. Her sister Dorothy made her stage debut at 16. Dorothy performed with Fred Stone at the Globe Theater in Manhattan, in Criss-Cross in December 1926. Stone was then 14 and training to be a stage actress within two years. Her first ambition was to be a singer like her mother. Another sister, Carol, was 12. She also aspired to go into theater work.
Stone appeared with Fred and Dorothy in Ripples, a show which debuted in New Haven, Connecticut, in January 1930. The first New York show of the same production came at the New Amsterdam Theater in February. Stone and her father teamed in Smiling Faces, produced by the Shubert Theater owners in 1931. Mack Gordon and Harry Revel wrote the music and lyrics. The musical had its first night in Springfield, Massachusetts.
Stone toured in You Can't Take It With You, Idiots Delight, and other plays. In November 1940 she was cast with Marcy Wescott for the Dennis King musical show. It debuted at the Forrest Theater in Philadelphia, Pennsylvania.
When her husband was reported missing during World War II, Stone began doing camp and canteen shows with her father. The two joined again in a play produced by the Theatre Guild in September 1950.
Read more about this topic: Paula Stone
Famous quotes containing the word theater:
“Be reflective ... and stay away from the theater as much as you can. Stay out of the theatrical world, out of its petty interests, its inbreeding tendencies, its stifling atmosphere, its corroding influence. Once become “theatricalized,” and you are lost, my friend; you are lost.”
—Minnie Maddern Fiske (1865–1932)
“The theater needs continual reminders that there is nothing more debasing than the work of those who do well what is not worth doing at all.”
—Gore Vidal (b. 1925)
“...I have never known a “movement” in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various “uplifting” activities in the theater are people who are astoundingly lacking in idealism.”
—Minnie Maddern Fiske (1865–1932)