Life and Career
Paul Vidal was born in Toulouse, and studied at the conservatoires there and in Paris, under Jules Massenet at the latter. He won the Prix de Rome in 1883, one year before Claude Debussy. On 8 January 1886, in Rome, Vidal and Debussy performed Franz Liszt's Faust Symphony at two pianos for Liszt himself, an after-dinner performance that Liszt apparently slept through. The following day they played Emmanuel Chabrier's Trois valses romantiques for Liszt.
Vidal conducted at the Paris Opera where he made his first appearance directing Gwendoline in 1894 (he had coached the singers for the Paris premiere in 1893), and later conducted the first performance of Ariane and the Paris premieres of Roma by Massenet, and L'étranger by d’Indy. He co-founded the Concerts de l’Opera with Georges Marty. He was Music Director of the Opéra-Comique from 1914-19, conducting revivals of Alceste, Don Juan, Iphigénie en Tauride, Irato, Le Rêve and Thérèse. He also conducted the premieres of several operas and ballets. He taught at the Paris Conservatoire, where his students included composers Marc Delmas, Jacques Ibert and Vladimir Fédorov. He died in Paris, aged 67.
His brother Joseph Bernard Vidal (1859-1924) was also a composer.
Read more about this topic: Paul Vidal
Famous quotes containing the words life and, life and/or career:
“The fate of the poor shepherd, who, blinded and lost in the snow-storm, perishes in a drift within a few feet of his cottage door, is an emblem of the state of man. On the brink of the waters of life and truth, we are miserably dying.”
—Ralph Waldo Emerson (1803–1882)
“Those who first introduced compulsory education into American life knew exactly why children should go to school and learn to read: to save their souls.... Consistent with this goal, the first book written and printed for children in America was titled Spiritual Milk for Boston Babes in either England, drawn from the Breasts of both Testaments for their Souls’ Nourishment.”
—Dorothy H. Cohen (20th century)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)