Patsy Kelly - Later Career

Later Career

After leaving Hollywood, Kelly returned to New York City where she worked in radio and did summer stock. She also worked as a personal assistant to Tallulah Bankhead (whom she later claimed she had a sexual relationship with).

Kelly returned to the screen in the 1950s with television and sporadic film roles. On television she appeared in guest roles on 26 Men, Kraft Television Theatre, The Man from U.N.C.L.E, The Dick Van Dyke Show, The Wild Wild West, and Alfred Hitchcock Presents, as well as many unsold pilots. She also made a memorable appearance as Laura-Louise in the film thriller Rosemary's Baby (1968), directed by Roman Polanski, alongside veteran actors Sidney Blackmer, Ruth Gordon, and Maurice Evans.

She returned to Broadway in 1971 in the revival of No, No, Nanette with fellow hoofers Ruby Keeler and Helen Gallagher. Kelly scored a huge success as the wisecracking, tap-dancing maid, and won Broadway's 1971 Tony Award for Best Featured Actress in a Musical for her performance in the show. She matched that success the following year when she starred in Irene with Debbie Reynolds, and was again nominated for a Tony.

In 1976, she appeared as the housekeeper Mrs. Schmauss in the film Freaky Friday starring Jodie Foster and Barbara Harris. Her final movie appearance came in the 1979 Disney comedy The North Avenue Irregulars, also co-starring Harris, along with Cloris Leachman, Edward Herrmann and Karen Valentine. Kelly's last onscreen appearance was a guest spot in a two-part episode of The Love Boat in 1979.

Read more about this topic:  Patsy Kelly

Famous quotes containing the word career:

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)