Repertoire
- Giuseppe Verdi
- Falstaff (Nannetta)
- Rigoletto (Gilda)
- La traviata (Violetta)
- Giacomo Puccini
- Gianni Schicchi (Lauretta)
- Vincenzo Bellini
- I Capuleti e i Montecchi (Giulietta)
- La sonnambula (Amina)
- La straniera (Alaide)
- Gaetano Donizetti
- Don Pasquale (Norina)
- L'elisir d'amore (Adina)
- La fille du régiment (Marie)
- Lucia di Lammermoor (Lucia)
- Maria Stuarda (Maria)
- Pia de' Tolomei (Pia)
- Gioachino Rossini
- Adelaide di Borgogna (Adelaide)
- Otello (Desdemona)
- Tancredi (Amenaide)
- Il turco in Italia (Fiorilla)
- Il viaggio a Reims (Corinna)
- Wolfgang Amadeus Mozart
- Così fan tutte (Fiordiligi)
- Le nozze di Figaro (Contessa)
- Die Entführung aus dem Serail (Konstanze)
- Mitridate, Re di Ponto (Aspasia)
- Georges Bizet
- Les pêcheurs de perles (Leila)
- Antonio Vivaldi
- Bajazet (Idaspe)
- Georg Friedrich Händel
- Alcina (Alcina)
- Giulio Cesare (Cleopatra)
- Jules Massenet
- Cendrillon (Cendrillon)
- Manon (Manon)
- Umberto Giordano
- Mese mariano (Carmela)
- Il re (Rosalina)
- Giacomo Meyerbeer
- Il crociato in Egitto (Palmide)
- Robert le diable (Isabelle)
- Tommaso Traetta
- Ippolito ed Aricia (Aricia)
Read more about this topic: Patrizia Ciofi
Famous quotes containing the word repertoire:
“The best joke-tellers are those who have the patience to wait for conversation to come around to the point where the jokes in their repertoire have application.”
—Joseph Epstein (b. 1937)
“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
—Laurent A. Daloz (20th century)