Patrick F. McManus - Works

Works

McManus writes mostly about his outdoor adventures from his childhood with semi-fictional characters such as his old woodsman mentor Rancid Crabtree and his childhood friends. The stories' humor is mostly based on elaborate exaggerations of his surreal adventures into the outdoors. McManus's writing is characterized by a dry wit that has drawn comparisons to Mark Twain and Robert Benchley.

As of 2010, his most recent work is The Huckleberry Murders, the fourth in a series of mystery novels starring the character Sheriff Bo Tully. Other departures from his column-collections include Kid Camping From Aaaaiii! To Zip (1979, an alphabetized, and partially serious, listing of useful tips and concepts for beginning campers); Whatchagot Stew (1989, both a cookbook and a less-fictionalized memoir of his childhood); and The Deer On A Bicycle (2000, a discussion of the art of humor writing.)

Some of his stories have been adapted as stage-plays; Tim Behrens adapted his work into the stage play A Fine and Pleasant Misery: The Humor of Patrick F. McManus in 1996.

In October 2011, an index of his stories and novels titled "Where's the One About the Bobcat?" was compiled by Lauren Ball, making it easy for readers to find their favorite stories.

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Famous quotes containing the word works:

    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
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    My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.
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    Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.
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