Career
In his first American film, Give Me Your Heart (1936), released in Great Britain as Sweet Aloes, Knowles was cast as a titled Englishman of means.
While making The Charge of the Light Brigade (1936) at Lone Pine, California, he befriended Errol Flynn, whose acquaintance he had made when both were under contract to Warner Bros. in Britain. Since that film, in which Knowles played the part of Capt. Perry Vickers, the brother of Flynn's Maj. Geoffrey Vickers, he was cast more frequently as straitlaced characters alongside Flynn's flamboyant ones, notably as Will Scarlet in The Adventures of Robin Hood (1938). Both actors starred as well in Four's a Crowd, also in 1938. More than two decades after Flynn's death, biographer Charles Higham sullied Flynn's memory by accusing him of having been a fascist sympathizer and Nazi spy. Knowles, who had served in World War II as a flying instructor in the RCAF, came to Flynn's defence, writing Rebuttal for a Friend as an epilogue to Tony Thomas' Errol Flynn: The Spy Who Never Was (Citadel Press, 1990) ISBN 0-8065-1180-X.
He was a freelance film actor from 1939 until his last film appearance in 1973. In the 1940s, he was known for playing protagonists in a number of horror films, including The Wolf Man (1941) and Frankenstein Meets the Wolfman (1943). He was also cast as comic foils in a number of comedies such as Abbott and Costello's Who Done It? (1942) and Hit the Ice (1943), and as the leading man in romantic comedies like Lady in a Jam (1942), in which he co-starred with Irene Dunne. He also appeared opposite Jack Kelly in a 1957 episode of the television series Maverick called "The Wrecker", which was based on a Robert Louis Stevenson adventure and co-starred James Garner. He also appeared in Have Gun - Will Travel 1960 as Phileas Fogg, episode Foggbound.
Knowles was inducted into the Hollywood Walk of Fame.
Read more about this topic: Patric Knowles
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
—Marilyn Monroe (1926–1962)