Parry Sound District is a census division of the Canadian province of Ontario. Its seat is Parry Sound. Its boundaries are Muskoka to the south, the Sudbury District, the French River and Lake Nipissing in the north, Nipissing District and North Bay in the north and east and parts of Algonquin Park in the northeast.
In 2011, the population was 42,162. The land area is 9,322.80 square kilometres (3,600 sq mi); the population density was 4.5 per square kilometre (12 /sq mi).
Although geographically in Southern Ontario, the Parry Sound District is the only census division in the southern part of the province which does not have an incorporated county, regional municipality or district municipality level of government, instead serving as a purely territorial division like the districts of Northern Ontario.
In lieu of an upper tier of municipal administration, all government services in the district are provided either by the local municipalities or by the provincial government itself. Some communities which are not part of any incorporated municipality are served by local services boards. The district is also included in the service areas of FedNor and the Northern Ontario Heritage Fund. Accordingly, in some contexts the division is grouped with the Northern Ontario region instead of Southern Ontario.
Along with the neighbouring Muskoka and Haliburton regions, the Parry Sound District is considered part of Ontario's cottage country region.
Read more about Parry Sound District: Original Townships, Demographics, Forest Fire Protection History
Famous quotes containing the words parry, sound and/or district:
“Every man alone is sincere. At the entrance of a second person, hypocrisy begins. We parry and fend the approach of our fellow-man by compliments, by gossip, by amusements, by affairs. We cover up our thought from him under a hundred folds.”
—Ralph Waldo Emerson (1803–1882)
“The mastery of one’s phonemes may be compared to the violinist’s mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor’s renderings indulgently, mentally rectifying the more glaring inaccuracies.”
—W.V. Quine (b. 1908)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)