Parody Music - Baroque

Baroque

After the beginning of the Baroque period, there continued to be parodies with serious intent, an example being J. S. Bach's reuse of three cantatas in his Christmas Oratorio. As musical fashions changed, however, there was little cause to re-use old modal tunes and compositional styles. After the middle of the 17th century, composers sought to create "a unique musical treatment appropriate to the text and the circumstances of performance" (Grove). Thereafter the serious parody became rare until the 20th century.

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