Radio
Born in Salt Lake City, Utah, Baer had a circus background, but began his radio career at Utah station KSL. With a fairly high pitched voice often accompanied by a Western twang, he became one of the busiest radio performers in the late 1940s and 1950s.
His first network show was The Whistler which was soon followed by appearances on Escape (notably narrating "Wild Jack Rhett" and as the title patriot in an adaptation of Stephen Vincent Benet's "A Tooth for Paul Revere"), Suspense, Tales of the Texas Rangers (as various local sheriffs), Dragnet, The CBS Radio Workshop, Lux Radio Theater, The Six Shooter, and Yours Truly, Johnny Dollar, to name a few.
In 1952, he began playing Chester, the unofficial deputy to Marshal Matt Dillon on Gunsmoke, eventually ad-libbing the character's full name, “Chester Wesley Proudfoot”. (The character's name was changed to “Chester Goode” in the television series, which featured an entirely different cast.) Baer's portrayal of Chester was generally considered his finest and most memorable role and, as he often said, the one he found most fulfilling. Baer worked on several other radio shows produced by Norman MacDonnell, including the situation comedy The Harold Peary Show (aka Honest Harold) as Pete the Marshal, Rogers of the Gazette (loosely based on the early life of Will Rogers) as Doc Clemens, Fort Laramie, and The Adventures of Philip Marlowe.
Other recurring roles included Eb the farm hand on Granby's Green Acres (the radio predecessor to television's Green Acres), Gramps on The Truitts, and Rene the manservant on the radio version of The Count of Monte Cristo. His later radio work included playing Reginald Duffield and Uncle Joe Finneman on the Focus on the Family series Adventures in Odyssey in the 1980s and 1990s.
Read more about this topic: Parley Baer
Famous quotes containing the word radio:
“Having a thirteen-year-old in the family is like having a general-admission ticket to the movies, radio and TV. You get to understand that the glittering new arts of our civilization are directed to the teen-agers, and by their suffrage they stand or fall.”
—Max Lerner (b. 1902)
“All radio is dead. Which means that these tape recordings I’m making are for the sake of future history. If any.”
—Barré Lyndon (1896–1972)
“Denouement to denouement, he took a personal pride in the
certain, certain way he lived his own, private life,
but nevertheless, they shut off his gas; nevertheless,
the bank foreclosed; nevertheless, the landlord called;
nevertheless, the radio broke,
And twelve o’clock arrived just once too often,”
—Kenneth Fearing (1902–1961)