History
According to writer Stephen Citron in his book Noel & Cole: the Sophisticates, it was with Paris that Cole Porter would be accepted in the "upper echelon" of Broadway composers. Although it was not a revue, the critics could not find the plot. An eleven-piece orchestra was placed in the leading lady's room, singing and dancing as well as providing the orchestral accompaniment. The producer (and also song-writer) Ray Goetz kept the musical in tryouts for almost 8 months, while songs were added and deleted. The song "Let's Misbehave" was dropped in favor of one of Porter's "best known songs", "Let's Do It, Let's Fall in Love". The censors had insisted that the "Let's Fall in Love" be added to the title. The plot was designed for Irene Bordoni "to show off her wardrobe and ingratiating stage presence".
Read more about this topic: Paris (1928 Musical)
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“There is a history in all men’s lives,
Figuring the natures of the times deceased,
The which observed, a man may prophesy,
With a near aim, of the main chance of things
As yet not come to life.”
—William Shakespeare (1564–1616)