Parallel Universe (fiction) - Science Fiction - Time Travel and Alternate History

Time Travel and Alternate History

The most common use of parallel universes in science fiction, when the concept is central to the story, is as a backdrop and/or consequence of time travel. A seminal example of this idea is in Fritz Leiber’s novel, The Big Time where there’s a war across time between two alternate futures each side manipulating history to create a timeline that results into their own world.

Time-travelers in fiction often accidentally or deliberately create alternate histories, such as in The Guns of the South by Harry Turtledove where the Confederate Army is given the technology to produce AK-47 rifles and ends up winning the American Civil War. (However, Ward Moore reversed this staple of alternate history fiction in his Bring the Jubilee (1953), where an alternative world where the Confederate States of America won the Battle of Gettysburg and the American Civil War is destroyed after a historian and time traveller from the defeated United States of that world travels back to the scene of the battle and inadvertently changes the result so that the North wins that battle.) The alternate history novel 1632 by Eric Flint explicitly states, albeit briefly in a prologue, that the time travelers in the novel (an entire town from West Virginia) have created a new and separate universe when they're transported into the midst of the Thirty Years War in 17th century Germany. (This sort of thing is known as an ISOT among alternate history fans, after S.M. Stirling's Island in the Sea of Time: an ISOT is when territory or a large group of people is transported back in time to another historical period or place.

Typically, alternate histories are not technically parallel universes. Though the concepts are similar, there are significant differences. In cases where characters travel to the past, they may cause changes in the timeline (creating a point of divergence) that result in changes to the present. The alternate present will be similar in different degrees to the original present as would be the case with a parallel universe. The main difference is that parallel universes co-exist whereas only one history or alternate history can exist at any one moment. Another difference is that travelling to a parallel universe involves some type of inter-dimensional travel whereas alternative histories involve some type of time travel. (However, since the future is only potential and not actual, it is often conceived that more than one future may exist simultaneously.)

The concept of "sidewise" time travel, a term taken from Murray Leinster's "Sidewise in Time", is often used to allow characters to pass through many different alternate histories, all descendant from some common branch point. Often worlds that are similar to each other are considered closer to each other in terms of this sidewise travel. For example, a universe where World War II ended differently would be “closer” to us than one where Imperial China colonized the New World in the 15th century. H. Beam Piper used this concept, naming it "paratime" and writing a series of stories involving the Paratime Police who regulated travel between these alternative realities as well as the technology to do so. Keith Laumer used the same concept of "sideways" time travel in his 1962 novel Worlds of the Imperium. More recently, novels such as Frederik Pohl's The Coming of the Quantum Cats and Neal Stephenson's Anathem explore human-scale readings of the "many worlds" interpretation of quantum mechanics, postulating that historical events or human consciousness spawns or allows "travel" among alternate universes.

Frequent 'types' of universe explored in sidewise and alternative history works include worlds in which the Nazis won the Second World War, such as in The Man in the High Castle by Philip K. Dick, SS-GB by Len Deighton and Fatherland by Robert Harris, and worlds in which the Roman Empire never fell, such as in Roma Eterna by Robert Silverberg and Romanitas by Sophia McDougall. In his novel Warlords of Utopia, part of the loosely linked Faction Paradox series, Lance Parkin explored a multiverse in which every universe in which Rome never fell goes to war with every universe in which the Nazis won WWII. The series was created by Lawrence Miles, whose earlier work Dead Romance featured the concept of an artificially created universe existing within another -specifically, within a bottle - and explored the consequences of inhabitants of the 'real' universe entering the Universe-in-a-Bottle.

In the His Dark Materials trilogy, the universe the protagonist starts in is a Victorian counterpart to ours, although it takes place at the same time. It also appears that the Protestant Reformation never happened.

In his short story, Rumfuddle, Jack Vance invents a doorway to an infinite number of universes at any given time, so that everyone on the planet can have their own private world. Some are inhabited by humans. On some, man doesn't exist. The trouble comes when some of the Rumfuddlers (a term given to an annual gathering to see who can best mess around with what should be) play pranks on parallel world, such as switching the infant Adolf Hitler with a baby from a Jewish couple, or putting together a football team made up of all of the great men in history.