Inspiration and Recording
Written by Mick Jagger and Keith Richards, "Parachute Woman" is a slow blues song and is one of the famous Beggars Banquet songs recorded on a cassette player and double-tracked for effect. Bill Janovitz says in his review of the song, "The result is a raw and murky but atmosphere-filled blues track that spotlights Mick Jagger's mumbled sexual boasts and intense harmonica playing. With barely veiled innuendo — just enough to make it comical — Jagger makes like a modern-day Muddy Waters."
| “ | Parachute woman, will you blow me out? Parachute woman, will you blow me out? Well, my heavy throbbers itchin', Just to lay a solid rhythm down | ” |
Recording began at Olympic Sound Studios on 25 March 1968. With Jagger on lead vocals, and Richards on acoustic rhythm and on electric lead guitar, it is disputed whether the harmonica is played by Jagger and/or Brian Jones. Some sources give it as either Jones or Jagger but some have stated that it may have been by the both of them on seperate harmonicas. Charlie Watts provides drums. Bill Wyman is featured on the upright bass, a rare occurrence for him. Jones also supplies the percussion (maracas and tambourine) in the song. It is also possible that Jones may have provided the acoustic rhythm, given that during outtakes Jagger can be heard telling Jones 'Turn it up!'
Read more about this topic: Parachute Woman
Famous quotes containing the words inspiration and, inspiration and/or recording:
“For a painter, the Mecca of the world, for study, for inspiration and for living is here on this star called Paris. Just look at it, no wonder so many artists have come here and called it home. Brother, if you cant paint in Paris, youd better give up and marry the bosss daughter.”
—Alan Jay Lerner (19181986)
“What is called eloquence in the forum is commonly found to be rhetoric in the study. The orator yields to the inspiration of a transient occasion, and speaks to the mob before him, to those who can hear him; but the writer, whose more equable life is his occasion, and who would be distracted by the event and the crowd which inspire the orator, speaks to the intellect and heart of mankind, to all in any age who can understand him.”
—Henry David Thoreau (18171862)
“I didnt have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, lets say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (18911980)