Style
Paper Rad calls its style "Dogman 99", a play on the Danish filmmaking movement Dogme 95. According to one of its project websites, the rules of Dogman 99 are: "No Wacom tablet, no scanning, pure RGB colors only, only fake tweening, and as many alpha tricks as possible."
Paper Rad's visual projects often employ bright fluorescent palettes juxtaposed with primary colors to create a distinctive "lo-fi" look. It adopts a variety of techniques and elements to achieve this look, including pop art, collage, punk art, as well as imagery from popular culture.
Its multimedia projects often incorporate MIDI audio, poor recordings of original sound effects and voices, pixelization, and other crude audio and visual components.
Paper Rad often recycles or appropriates obscure sounds and images from a variety of sources, including: old cartoons, commercials, and late-night television.
Read more about this topic: Paper Rad
Famous quotes containing the word style:
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)