Achieving A Smooth Pan in Photography
When photographing a moving subject, the panning technique is achieved by keeping the subject in the same position of the frame for the duration of the exposure. The length of the exposure must be long enough to allow the background to blur due to the movement of the camera as the photographer follows the subject in the viewfinder.
The exact length of exposure required will depend on the speed at which the subject is moving, the focal length of the lens and the distance from the subject and background. An F1 car speeding along a straight might allow the photographer to achieve a blurred background at 1/250th of a second, while the photographer might need to go as slow as 1/40th to achieve the same amount of blur for a picture of a running man.
The faster shutter speed allowed by fast moving subjects are easier to capture in a smoothly panned shot. With slower moving subjects, the risk is that the panning motion will be jerky, and it is also harder to keep the subject in the same position of the frame for the longer period of time.
To aid in capturing panned pictures, photographers use aids such as tripods and monopods, which make it easy to swing the camera along one plane, while keeping it steady in the others. A low budget option is to tie a piece of string around the lens, then to drop the other end to the floor and step on it to pull it taut. This will allow a little bit more stability and allow for smoother blur.
Read more about this topic: Panning (camera)
Famous quotes containing the words achieving, smooth, pan and/or photography:
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (18451923)
“or the warm soft side
Of the resigning yet resisting bride.
The kiss of virgins first-fruits of the bed;
Soft speech, smooth touch, the lips, the maidenhead;
These and a thousand sweets could never be
So near or dear as thou wast once to me.”
—Robert Herrick (15911674)
“When Pan sounds up his minstrelsy;
His minstrelsy! O base! This quill,
Which at my mouth with wind I fill,
Puts me in mind, though her I miss,
That still my Syrinx lips I kiss.”
—John Lyly (15531606)
“If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.”
—Charles Baudelaire (18211867)