Art
Pamela has painted most of her life, however, in recent years she has refined her techniques and created a niche for herself at the National Academy of Design in New York City. Her most popular work, “New Hope,” was inspired by the events of 9/11, and has been received with rave reviews from art critics, who have said “there is a harmony of patriotism, religion and beauty done in a dignified, calm manner.” The painting won the 2002 mural scholarship awarded by the Abbey Foundation with the National Academy of Design. The painting was featured at the 2007 Alumni show at National Academy.
Pamela looks for interesting angles in many of her paintings. In a work entitled “The Last Temptation of Christ,” she uses an incarcerated man as her model, and depicts him looking skyward towards heaven. This piece was revered as “arguably the most beautiful painting currently hanging in Abingdon” in a local paper. Pamela is currently painting commissioned portraits, and teaches private lessons on oil painting each Spring in New York City.
Read more about this topic: Pamela Stafford
Famous quotes containing the word art:
“I can’t tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.... Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honour.”
—John Berger (b. 1926)
“As to what we call the masses, and common men;Mthere are no common men. All men are at last of a size; and true art is only possible, on the conviction that every talent has its apotheosis somewhere. Fair play, and an open field, and freshest laurels to all who have won them!”
—Ralph Waldo Emerson (1803–1882)
“Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.”
—Angela Carter (1940–1992)