Design and Performance
Padayani is very popular in Kerala, India, as a means, used to worship goddess kali. The story line comes as after killing daruka, an asura, goddess was in anger. The bhoothagana, servants of lord siva, danced in front of her to reduce her anger, else her anger would result in the destruction of the whole world. In memory of this incident, the participants wear masks (kolam) made of lathes of the areca tree using one to hundreds. The colours used to make kolam are purely natural. They are made of the green of the lath itself (kamukin pacha), kari (carbon), manjalpodi, sindooram etc.
A major attraction of padayani is the song associated with it. Traditionally only a single type of instrument is used to associate the song, thappu. The songs are in simple malayalam and have been handed down from the ancestors over the years.
The art form starts with heating the musical instrument, thappu (Thappu Choodakkal). The instrument is faced towards the fire and the instrument tuned. After that, the art form starts. Various types of dances have different names such as madan, marutha, yakshi, pakshi, kalan kolam and bhairavi kolam.
Marutha is the little ones and they are like a drama. They are dancing to make fun along with the songs. The kolam is performed by men as well as children.
Kalan Kolam is the major attraction in padayani. This is about a child who is begging his life to lord siva while death comes in his 16th birthday. At that time kalan, the god of death, comes and he is trying to take the life of markandaya, the boy.
Bhairavi kolam is the dance to worship goddess. It is the biggest kolam and uses many laths of areca tree. The kolam is headed by more than one person due to its heavy weight.
After the kolam thullal is over, there will be ritual called pooppada which is the end of the padayani festival. After that, the days of colours will be over and the colourful memories will be in the minds.
The waiting for the next padayani will starts then...with a prayer for the wellness of all world....
In 2007, plans were put forward to implement a proposal by poet Kadammanitta Ramakrishnan to create a Padayani Village to promote the dance form. As of 2009, the first such village is expected to be built in the poet's hometown of Kadammanitta at a cost of Rs. 1.9 crore. A chief exponent of Padayani is Prof. Kadammanitta Vasudevan Pillai. His association and acquaintance with Kadammanitta Ramakrishnan has led to many literary contributions. His Literary work "Padayaniyude Paalakolangal" and "Padayani" is an authoritative work on Kerala Folklore with special reference to Padayani.
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