Family
Wren dedicated an early edition (no date known) of The Snake and the Sword to "my wife Alice Lucille Wren". An early edition of Driftwood Spars reads: "To the memory of my beloved wife."
Isabel was his second wife. She had previously been married to Cyril Graham Smith, a civil engineer employed in the Indian educational service at Poona. In 1927, Graham Smith filed for divorce, with Wren named as co-respondent. The divorce was granted, and a letter by Isabel to Ronald Colman (who played Beau Geste in the silent film) in 1929 on behalf of her "seriously ill" husband, suggests she and Wren had married at least as early as 1928 (actual date 03 Dec 1927). "Isobel" was the heroine of "Beau Geste". At his death, Wren was also survived by his son Percival Rupert Christopher Wren, born in Karachi, 1904. He was married to an American actress, Judith Wood. Wren also adopted Isabel's son from her first marriage, Richard Alan Graham-Smith, as his own. After many years in a successful teaching career, Graham-Smith, known to most people simply as Alan, retired to Devon, where he lived in the South Hams coastal village of Torcross until his death on the 31st December 2006 at the age of 96. Graham-Smith ended up becoming the sole administrator of Wren's estate for many years and possibly the last living person to have any personal acquaintance with Wren. He strongly maintained that Wren had indeed served in the French Foreign Legion and was always quick to refute those who said otherwise.
Read more about this topic: P. C. Wren
Famous quotes containing the word family:
“Because it’s not only that a child is inseparable from the family in which he lives, but that the lives of families are determined by the community in which they live and the cultural tradition from which they come.”
—Bernice Weissbourd (20th century)
“The family is the test of freedom; because the family is the only thing that the free man makes for himself and by himself.”
—Gilbert Keith Chesterton (1874–1936)
“Some [adolescent] girls are depressed because they have lost their warm, open relationship with their parents. They have loved and been loved by people whom they now must betray to fit into peer culture. Furthermore, they are discouraged by peers from expressing sadness at the loss of family relationships—even to say they are sad is to admit weakness and dependency.”
—Mary Pipher (20th century)