Oxford University Press

Oxford University Press (OUP) is the largest university press in the world. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the Vice-Chancellor known as the Delegates of the Press. They are headed by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University has used a similar system to oversee the Press since the 17th century.

The university became involved in the print trade around 1480, and grew into a major printer of Bibles, prayer books, and scholarly works. Its Press took on the project that became the Oxford English Dictionary in the late 19th century, and expanded to meet the ever-rising costs of the work. As a result, the last hundred years has seen Oxford publish children's books, school text books, music, journals, the World's Classics series, and a best-selling range of English Language Teaching texts to match its academic and religious titles. Moves into international markets led to the Press opening its own offices outside the United Kingdom, beginning with New York in 1896. With the advent of computer technology and increasingly harsh trading conditions, the Press's printing house at Oxford was closed in 1989, and its former paper mill at Wolvercote was demolished in 2004. By contracting out its printing and binding operations, the modern Press publishes some 6,000 new titles around the world each year. As part of a charitable organization, OUP is committed to major financial support of its parent university, and furthers the university's aims of excellence in scholarship, research, and education through its publishing activities.

OUP was first exempted from US Corporation Tax in 1972 and from UK Corporation Tax in 1978. As a department of a charity, OUP is exempt from income tax and corporate tax in most countries, but may pay sales and other commercial taxes on its products. The Press today transfers 30% of its annual surplus to the rest of the University, with a commitment to a minimum transfer of £12 million per annum. OUP is the largest university press in the world by the number of publications, publishing more than 4,500 new books every year and employing some 4,000 people. OUP publishes many reference, professional, and academic works including the Oxford English Dictionary, the Concise Oxford English Dictionary, the Oxford World's Classics, the Oxford Dictionary of National Biography, and the Concise Dictionary of National Biography. A number of its most important titles are now available electronically in a package called "Oxford Reference Online", and are offered free to holders of a reader's card or other subscribing institutions (e.g., universities, colleges, etc.) worldwide.

Books published by Oxford have International Standard Book Numbers that begin with 0-19, making the Press one of a tiny number of publishers who have two-digit identification numbers in the ISBN system. By internal agreement, the first digit of the individual edition number (following 0-19-) can indicate a particular originating division, for example: 3 for music (before ISMNs were defined); 5 for the New York office; 8 for Clarendon Press publications.

Read more about Oxford University Press:  Oxford University Press Museum, Early History, 17th Century: William Laud & John Fell, 18th Century: The Clarendon Building & Blackstone, 19th Century: Price and Cannan, The Twentieth Century, Scholarly Journals, OUP's Contribution To Typography and Presswork, Clarendon Scholarships

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    Christianity as an organized religion has not always had a harmonious relationship with the family. Unlike Judaism, it kept almost no rituals that took place in private homes. The esteem that monasticism and priestly celibacy enjoyed implied a denigration of marriage and parenthood.
    Beatrice Gottlieb, U.S. historian. The Family in the Western World from the Black Death to the Industrial Age, ch. 12, Oxford University Press (1993)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)

    Christianity as an organized religion has not always had a harmonious relationship with the family. Unlike Judaism, it kept almost no rituals that took place in private homes. The esteem that monasticism and priestly celibacy enjoyed implied a denigration of marriage and parenthood.
    Beatrice Gottlieb, U.S. historian. The Family in the Western World from the Black Death to the Industrial Age, ch. 12, Oxford University Press (1993)

    During the first formative centuries of its existence, Christianity was separated from and indeed antagonistic to the state, with which it only later became involved. From the lifetime of its founder, Islam was the state, and the identity of religion and government is indelibly stamped on the memories and awareness of the faithful from their own sacred writings, history, and experience.
    Bernard Lewis, U.S. Middle Eastern specialist. Islam and the West, ch. 8, Oxford University Press (1993)

    Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.
    Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)

    The failures of the press have contributed immensely to the emergence of a talk-show nation, in which public discourse is reduced to ranting and raving and posturing. We now have a mainstream press whose news agenda is increasingly influenced by this netherworld.
    Carl Bernstein (b. 1944)