Later Years
In its early years, the hall offered a significant amount of classical music in its programmes. However, in 1879, Charles Dickens wrote that "the operatic selections which were at one time the distinguishing feature of the Oxford have of late years been discontinued", and the hall's programmes after that date evidence a move to popular musical forms. In 1891, the Oxford became a 'Syndicate Hall' under the management of the company that also managed the Tivoli and London Pavilion. This period of the theatre was captured by Walter Sickert in a series of paintings in 1892. The theatre was rebuilt to a design by Wylson and Long, with a conventional stage, 1,040 seats including boxes, domed ceiling and opulently decorated interior, and reopened on 31 January 1893. In 1891, George Robey and in 1895, Harry Tate made their solo débuts on the stage.
In 1917, the hall was converted into a legitimate theatre, and the musical The Better 'Ole, by well-known cartoonist Bruce Bairnsfather, enjoyed a run of 811 performances. In 1921, the Phoenix Society revived Ben Jonson's long forgotten Bartholomew Fair. Later that year, the theatre was renovated by Charles B. Cochran, and a mix of films and plays were shown. A London production of the hit Broadway musical Little Nellie Kelly played at the theatre between July 1923 and February 1924. In 1926, the theatre closed and was demolished.
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