Oxford Classical Texts

Oxford Classical Texts (OCTs), or Scriptorum Classicorum Bibliotheca Oxoniensis, is a series of books published by Oxford University Press. It contains texts of ancient Greek and Latin literature, such as Homer's Odyssey and Virgil's Aeneid, in the original language with a critical apparatus. Works of science and mathematics, such as Euclid's Elements, are generally not represented. Since the books are meant primarily for serious students of the classics, the prefaces and notes have traditionally been in Latin (so that the books are written in the classical languages from the title page to the index), and no translations or explanatory notes are included. Several recent volumes, beginning with Lloyd-Jones and Wilson's 1990 edition of Sophocles, have broken with tradition and feature introductions written in English (though the critical apparatus is still in Latin).

Oxoniensis is an abbreviation used to denote mainly a single volume of the series (fully: editio Oxoniensis), rarely the whole collection; correspondingly, Teubneriana is used with reference to the Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana, a series with the same aim as the OCTs. Those who want some help in reading the classics may prefer the Loeb Classical Library, which includes English translations, or the Collection Budé, which includes French translations. In Spanish, the scholars recommend Library Gredos, Spain-based publisher.

Famous quotes containing the words oxford, classical and/or texts:

    The greatest gift that Oxford gives her sons is, I truly believe, a genial irreverence toward learning, and from that irreverence love may spring.
    Robertson Davies (b. 1913)

    Et in Arcadia ego.
    [I too am in Arcadia.]
    Anonymous, Anonymous.

    Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)

    The party of God and the party of Literature have more in common than either will admit; their texts may conflict, but their bigotries coincide. Both insist on being the sole custodians of the true word and its only interpreters.
    Frederic Raphael (b. 1931)