Over The Edge Vol. 7: Time Zones Exchange Project
The Time Zones Exchange Project distills selections from Negativland's radio program Over the Edge, broadcast on KPFA. This CD was edited together from several different broadcasts recorded between 1989 and 1992.
Unlike previous volumes of the Over The Edge series, this two disc set presents a rambling documentary with a pseudo-plot to uncover information about the elusive Trillionaire C.E. Friday, a character that recurs throughout various forms of Negativland Media, and also covers many theories about Howland Island. Disc 1 contains a mock radio show - The Piddle Diddle Report - from a station called ABS, which closely parodies the Art Bell show. Disc 2 is presented as a Universal Media Netweb simulcast, in conjunction with Radio Moscow, to teach the people of Russia the basics of a Free Market economy. Throughout this disc are commercials for Mertz, a Decision-Enhancing Mental Supplement, and a series of recordings from a real botched attempt to do a similar simulcast in the mid 1980's. This album was released in 1994 on Negativland's Seeland label.
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—George M. Cohan (1878–1942)
“So God stepped over to the edge of the world
And He spat out the seven seas;
He batted His eyes, and the lightnings flashed;
He clapped His hands, and the thunders rolled;
And the waters above the earth came down,
The cooling waters came down.”
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“We stood talking for some time together of Bishop Berkeley’s ingenious sophistry to prove the non-existence of matter, and that every thing in the universe is merely ideal. I observed, that though we are satisfied his doctrine is not true, it is impossible to refute it. I shall never forget the alacrity with which Johnson answered, striking his foot with mighty force against a large stone, till he rebounded from it, “I refute it thus.””
—Samuel Johnson (1709–1784)
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—J.G. (James Graham)
“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
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—Susan Sontag (b. 1933)