Concert Synopsis
Girls Aloud start the show with their number one BRIT Award winning single "The Promise", "burst up out of the floor wearing long, spangly dresses which they whipped off to reveal short mini skirts." They rise above the stage on individual hydraulic podiums. Girls Aloud then perform Out of Control album track "Love Is the Key," followed by "Biology" and another album track entitled "Miss You Bow Wow." The dancers perform to an extended instrumental of "Miss You Bow Wow" while Girls Aloud change.
During the show's second section, Girls Aloud wear black-and-white kimono-inspired playsuits. They perform "The Loving Kind", followed by a revival of "Waiting," an album track from 2005's Chemistry. They then sing hit single "Love Machine" and "Rolling Back the Rivers in Time." During a performance of "Untouchable," Girls Aloud "fly" on a platform to a smaller, specially-constructed stage in the centre of the arena. They perform "Sexy! No No No…" with a dance break containing interpolations of Rihanna's "Disturbia". They perform a cover of James Morrison's "Broken Strings". The album track "Love Is Pain" is performed, followed by "Call the Shots", as Girls Aloud return to the main stage.
Following a video introduction, "Revolution in the Head" is performed. Girls Aloud then perform debut single "Sound of the Underground". Girls Aloud pole dance for a performance of the album track "Fix Me Up" in "skintight dominatrix gear." A cover of Britney Spears' "Womanizer" features BDSM themes in its performance. The girls wear "tiny PVC outfits" and use whips on their dancers. This section ends with "Something Kinda Ooooh". Girls Aloud return in butterfly sequined corsets for their final number. The encore of the show is a megamix of Girls Aloud's other hits, consisting of: "The Show", "Wake Me Up", "Jump", "No Good Advice", "Can't Speak French", and a reprise of "The Promise."
Read more about this topic: Out Of Control Tour
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“... in the cities there are thousands of rolling stones like me. We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him.... We have no house, no place, no people of our own. We live in the streets, in the parks, in the theatres. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.”
—Willa Cather (1873–1947)