Performing At The Ottawa Fringe
The Fringe seeks to minimize its impact on the artistic decisions of its performers. Thus the festival allocates its limited stage time by lottery, with a certain percentage put aside for local, Canadian, and international troupes. Each winning troupe will get to perform its show in the same venue at different times, from a little after noon to midnight, over several days. The rotation of time slots helps to even out the audience-dampening effects of performing late at night or when most people are at work.
Since anyone able to meet an application fee can apply to perform at the Fringe, and berths are awarded by lottery, the quality of the shows can vary widely.
The Ottawa Fringe has spawned at least one international success. Ottawa playwright and actor Pierre Brault's one person show, Blood on the Moon, tells of the trial, (perhaps wrongful) conviction, and execution of Patrick J. Whelan for D'Arcy McGee's murder. After its successful Fringe run, Brault performed Blood on the Moon at the National Arts Centre, toured the show across Canada, and even brought it to Ireland.
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Famous quotes containing the words performing and/or fringe:
“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“Look carefully through all the claims pressing upon you in your complicated life, and decide once and for all what it is that is the one really important and overmastering duty in it, and should be the one dominating aim. Then remember that if you succeed in that, the others, so multifarious, are really no more than the fringe of the garment, and that you need not spend so much anxiety over them, provided that the one most important is faithfully attended to.”
—Anna C. Brackett (1836–1911)