Othalie Graham - Career

Career

Canadian-American Soprano Othalie Graham is critically acclaimed throughout North America. As Turandot, the Boston Globe says her “timbre and power were thrilling - steely ring from top to bottom - and her path from imperiousness to passion was convincing.” Of a recent performance as Tosca, the San Francisco Chronicle praised her “high-powered blend of musical assurance and theatrical temperament. Singing the role for the first time, Graham displayed a potent and secure soprano that soared effortlessly through the role. Most impressive was her blend of delicacy and sheer muscle, which often combined forces within the space of a single phrase...her rendition of ‘Vissi d’arte’ was a heartbreaker.”

Emerging into the Wagnerian repertoire, Ms. Graham’s notable roles include Senta in Der Fliegender Holländer, Isolde in Tristan und Isolde, Brünnhilde and Sieglinde in Die Walküre, and Elisabeth in Tannhäuser. Other prominent roles include the title role in Elektra, Lady Macbeth in Macbeth, Leonora in Fidelio, Amelia in Un Ballo in Maschera, Leonora in La Forza del Destino, Ariane in Ariane et Barbe-Bleue, Serena in Porgy and Bess, and Santuzza in Cavalleria Rusticana.

Recent engagements include the title role in Turandot with Arizona Opera, Michigan Opera Theatre, Opera Columbus, Opera Delaware, Utah Festival Opera, Connecticut Grand Opera, and Sacramento Opera; Odabella in Attila with Sarasota Opera; the title role of Aida for the inaugural performance of the Istanbul International Opera Festival; Leonora in Il Trovatore with Utah Festival Opera; the title role in Tosca with Festival Opera; and the title role in Elektra at Philadelphia’s Academy of Vocal Arts. In the current 2010-2011 season and beyond, engagements include the title role of Turandot with the Vancouver Opera and Pensacola Opera, Minnie in La Fanciulla del West at the Nashville Opera, Mahler’s Symphony No. 8 and Turandot excerpts in concert with the Washington Chorus at the Kennedy Center, and Isolde in Tristan und Isolde with the Young Musicians Foundation Orchestra in California.

Concert highlights include a New York recital debut with the Liederkranz Society after winning its annual competition; a Wagner concert co-sponsored by the Wagner Society of Washington D.C. featuring Brünnhilde’s Immolation Scene from Götterdämmerung and Isolde’s Liebestod from Tristan und Isolde; Brünnhilde excerpts from Die Walküre for the L’Opera de Montreal gala; the title role in Turandot with Boston’s Chorus Pro Musica, the Westfield Symphony Orchestra, and the Harrisburg Symphony; Elijah with Bryn Terfel and the Mormon Tabernacle Choir; a featured appearance with Eve Queler at the Dahesh Museum of Art; as well as opera galas for Pacific Opera Victoria, Vancouver Opera, and Canada’s Oakville Symphony.

Ms. Graham was the first-place winner of the 2010 Gerda Lissner International Vocal Competition in the Wagner Division; the first-place winner of the 2005 Joyce Dutka Competition; a recipient of the prestigious Sullivan Foundation Grant for 2005; and the first-place winner in the Wagner Division of the 2009 Liederkranz Competition. In Canada, her many awards and honors include the coveted Jean Chalmers prize in the Canadian Music Competition, winner of the Edward Johnson Competition, and first place in the Jeunes Ambassadeurs Lyriques Competition.

She is a graduate of the Academy of Vocal Arts.

Read more about this topic:  Othalie Graham

Famous quotes containing the word career:

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)

    Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.
    Douglas MacArthur (1880–1964)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)