History
The neighborhood was once part of the Parish of Irajá, created in 1644. In the end of the 19th century and beginning of 20th century, the economy of the region, supported by slavery, enters crisis and the old latifundiums start to be divided by the poor population, mainly by people escaping the urban reforms realized in the center of the city.
In 1890, the Dona Clara Station of trains was inaugurated, that gave name to the area of limits still not defined, that then was confused with Madureira. In 1917, with the death of the doctor and sanitary engineer Oswaldo Cruz, the local station is renamed and with along the time this name ends being attributed to the neighborhood. However until today in the neighborhood of Madureira there is a street with the name of Dona Clara.
It belonged to Dona Clara the Blocos of Dona Esther, "Quem Fala de Nós Come Mosca" (Who Talks About Us Eats Flies)., ancestral of Portela. In the 1920s, when Portela is founded, the neighborhood is already known as Oswaldo Cruz, that the fist name of the council was Conjunto Oswaldo Cruz.
Read more about this topic: Oswaldo Cruz (Rio De Janeiro)
Famous quotes containing the word history:
“A country grows in history not only because of the heroism of its troops on the field of battle, it grows also when it turns to justice and to right for the conservation of its interests.”
—Aristide Briand (1862–1932)
“To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.”
—Mary McCarthy (1912–1989)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)