History
The neighborhood was once part of the Parish of Irajá, created in 1644. In the end of the 19th century and beginning of 20th century, the economy of the region, supported by slavery, enters crisis and the old latifundiums start to be divided by the poor population, mainly by people escaping the urban reforms realized in the center of the city.
In 1890, the Dona Clara Station of trains was inaugurated, that gave name to the area of limits still not defined, that then was confused with Madureira. In 1917, with the death of the doctor and sanitary engineer Oswaldo Cruz, the local station is renamed and with along the time this name ends being attributed to the neighborhood. However until today in the neighborhood of Madureira there is a street with the name of Dona Clara.
It belonged to Dona Clara the Blocos of Dona Esther, "Quem Fala de Nós Come Mosca" (Who Talks About Us Eats Flies)., ancestral of Portela. In the 1920s, when Portela is founded, the neighborhood is already known as Oswaldo Cruz, that the fist name of the council was Conjunto Oswaldo Cruz.
Read more about this topic: Oswaldo Cruz (Rio De Janeiro)
Famous quotes containing the word history:
“It would be naive to think that peace and justice can be achieved easily. No set of rules or study of history will automatically resolve the problems.... However, with faith and perseverance,... complex problems in the past have been resolved in our search for justice and peace. They can be resolved in the future, provided, of course, that we can think of five new ways to measure the height of a tall building by using a barometer.”
—Jimmy Carter (James Earl Carter, Jr.)
“Its a very delicate surgical operationto cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and well do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)