Oswald J. Smith - Works

Works

  • Give Ye Them To Eat, Chicago: Russian Missionary Society (1918)
  • Voice of Hope, Toronto: Evangelical Publishers (1919)
  • Thou Art The Man, Toronto: Evangelical Publishers (1919)
  • Songs in the Night, Toronto: Alliance Tabernacle (1922)
  • The Man God Uses, New York: Christian Alliance Pub. Co. (1925)
  • The Baptism with the Holy Spirit, New York: Christian Alliance Pub. Co. (1925)
  • From Death to Life, New York: Christian Alliance Pub. Co. (1925)
  • The Revival We Need, New York: Christian Alliance Pub. Co. (1925)
  • Back to the Pentecost, New York: Christian Alliance Pub. Co. (1926)
  • Working With God, Toronto: Tabernacle Publishers (1926)
  • Is the Antichrist at Hand?, Toronto: Tabernacle Publishers (1926)
  • The Spirit-Filled Life, New York: Christian Alliance Pub. Co. (1927)
  • The Great Physician, New York: Christian Alliance Pub. Co. (1927)
  • Under a Pirate Flag and Other Stories, Chicago: Worldwide Christian Couriers (1928)
  • The Enduement of Power, London: Marshall, Morgan & Scott (1933)
  • The Passion for Souls, Marshall, Morgan & Scott (1950)
  • The Consuming Fire, London: Marshall, Morgan & Scott (1954)
  • The Challenge of Missions, London: Marshall, Morgan & Scott (1959)

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Famous quotes containing the word works:

    “Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
    —Henry David Thoreau (1817–1862)

    “‘Tis too plain that with the material power the moral progress has not kept pace. It appears that we have not made a judicious investment. Works and days were offered us, and we took works.”
    —Ralph Waldo Emerson (1803–1882)

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)