Oswald J. Smith - Works

Works

  • Give Ye Them To Eat, Chicago: Russian Missionary Society (1918)
  • Voice of Hope, Toronto: Evangelical Publishers (1919)
  • Thou Art The Man, Toronto: Evangelical Publishers (1919)
  • Songs in the Night, Toronto: Alliance Tabernacle (1922)
  • The Man God Uses, New York: Christian Alliance Pub. Co. (1925)
  • The Baptism with the Holy Spirit, New York: Christian Alliance Pub. Co. (1925)
  • From Death to Life, New York: Christian Alliance Pub. Co. (1925)
  • The Revival We Need, New York: Christian Alliance Pub. Co. (1925)
  • Back to the Pentecost, New York: Christian Alliance Pub. Co. (1926)
  • Working With God, Toronto: Tabernacle Publishers (1926)
  • Is the Antichrist at Hand?, Toronto: Tabernacle Publishers (1926)
  • The Spirit-Filled Life, New York: Christian Alliance Pub. Co. (1927)
  • The Great Physician, New York: Christian Alliance Pub. Co. (1927)
  • Under a Pirate Flag and Other Stories, Chicago: Worldwide Christian Couriers (1928)
  • The Enduement of Power, London: Marshall, Morgan & Scott (1933)
  • The Passion for Souls, Marshall, Morgan & Scott (1950)
  • The Consuming Fire, London: Marshall, Morgan & Scott (1954)
  • The Challenge of Missions, London: Marshall, Morgan & Scott (1959)

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Famous quotes containing the word works:

    “The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
    —For the State of New Jersey, U.S. public relief program (1935-1943)

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
    —Rebecca West (1892–1983)

    “That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
    —Lydia M. Child (1802–1880)