Oscillator Phase Noise

Oscillator Phase Noise

Oscillators inherently produce high levels of phase noise. That noise increases at frequencies close to the oscillation frequency or its harmonics. With the noise being close to the oscillation frequency, it cannot be removed by filtering without also removing the oscillation signal. And since it is predominantly in the phase, it cannot be removed with a limiter.

All well-designed nonlinear oscillators have stable limit cycles, meaning that if perturbed, the oscillator will naturally return to its limit cycle. This is depicted in the figure on the right (removed due to unknown copyright status). Here the stable limit cycle is shown in state space as a closed orbit (the ellipse). When perturbed, the oscillator responds by spiraling back into the limit cycle. However, by observing the time stamps, it is easy to see that while the oscillation returns to its stable limit cycle, it does not return at the same phase. This is because the oscillator is autonomous; it has no stable time reference. The phase is free to drift. As a result, any perturbation of the oscillator causes the phase to drift, which explains why the noise produced by an oscillator is predominantly in phase.

Read more about Oscillator Phase Noise:  Oscillator Voltage Noise and Phase Noise Spectra, Oscillators and Frequency Correlation

Famous quotes containing the words phase and/or noise:

    The Indians feel that each stage is crucial and that the child should be allowed to dwell in each for the appropriate period of time so that every aspect of his being can evolve, just as a plant evolves in the proper time and sequence of the seasons. Otherwise, the child never has a chance to master himself in any one phase of his life.
    Alan Quetone (20th century)

    Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation.... Tooting, howling, screeching, booming, crashing, whistling, grinding, and trilling bolster his ego. His anxiety subsides. His inhuman void spreads monstrously like a gray vegetation.
    Jean Arp (1887–1948)