Oscar Bony (Argentina 1941-2002) was an avant-garde artist known for his innovative and daring work. Born in Posadas, in the northern province of Misiones, he trained at Buenos Aires's prestigious Instituto Torcuato di Tella in the 1960s. Bony moved to Milan after Argentina's military coup in 1976, returning to Argentina only after the end of the dictatorship, in 1988. His work ranged from painting to live installations to video, finally focusing primarily on photography towards the end of his life.
His most famous work is La familia obrera (Blue-collar family, 1968), an installation which consisted of an actual working-class family seated on a pedestal. Considered subversive, it was closed down by the police. The work was recreated in a 2004 exhibit at the Houston Museum of Modern Art.
Bony's work was the subject of a retrospective, "Oscar Bony: el Mago," at the Museo de Arte Latinoamericano de Buenos Aires, from November 2007 to February 2008.
Famous quotes containing the words oscar and/or bony:
“Parents can fail to cheer your successes as wildly as you expected, pointing out that you are sharing your Nobel Prize with a couple of other people, or that your Oscar was for supporting actress, not really for a starring role. More subtly, they can cheer your successes too wildly, forcing you into the awkward realization that your achievement of merely graduating or getting the promotion did not warrant the fireworks and brass band.”
—Frank Pittman (20th century)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (18881959)