Character
Oro is a hermit of Japanese descent who is over 140 years old, having mastered the secrets of immortality. He lives in a deep cave within the Amazon. Although he may not seem very strong, his lack of attachments has allowed him to exceed his fighting skills beyond those of an ordinary person, though he does seem to have a weakness for cute girls. He attained such extraordinary abilities through the mastery of an extreme fighting style known as senjutsu (仙術?). He sets out on a journey to find a worthy successor of his secrets in order to kill time. Through the use of magic, he sealed one of his arms in order to even the odds in favor of his opponents.
In his ending in the original game and 2nd Impact, Oro decides that the only martial artist he met worthy of inheriting his secrets was Ryu. In 3rd Strike, Oro's boredom has reached its limits. Many young fighters have come to him in trying to become his disciples, but no one has lasted his training long enough. One day, he heard rumors involving a "mysterious organization" and the "master of the fist" and he decided to investigate. In his ending, Oro is shown trying to make Ryu, who is unaware of Oro's presence in his training, his disciple again.
Oro appears in Street Fighter III and its subsequent expansions, Street Fighter III: 2nd Impact and Street Fighter III: 3rd Strike, noted for his unorthodox fighting style. According to UGO.com, he is a fighter more suited for patient players, who "can deal some serious damage to the player that can wait for the right opening on an opponent." Oro also appears in the Street Fighter Legends: Ibuki comic book miniseries.
Read more about this topic: Oro (Street Fighter)
Famous quotes containing the word character:
“I have frequently gained my first real insight into the character of parents by studying their children.”
—Sir Arthur Conan Doyle (1859–1930)
“But boys and girls, pale from the imagined love
Of solitary beds, knew what they were,
That passion could bring character enough
And pressed at midnighht in some public place
Live lips upon a plummet-measured face.”
—William Butler Yeats (1865–1939)
“I prize the purity of his character as highly as I do that of hers. As a moral being, whatever it is morally wrong for her to do, it is morally wrong for him to do. The fallacious doctrine of male and female virtues has well nigh ruined all that is morally great and lovely in his character: he has been quite as deep a sufferer by it as woman, though mostly in different respects and by other processes.”
—Angelina Grimké (1805–1879)