Roles
| Role | Character and Voice type | Premiere cast, 1727 (Conductor: – ) |
|---|---|---|
| Orlando | a knight jealous of Medoro (contralto) | Lucia Lancetti |
| Angelica | beloved of Medoro (soprano) | Benedetta Serosina |
| Alcina | Enchantress (contralto) | Anna Girò |
| Bradamante | female warrior, beloved of Ruggiero (contralto) | Maria Catterina Negri |
| Medoro | Prince betrothed to Angelica (contralto castrato) | Casimiro Pignotti |
| Ruggiero | a knight following Orlando (contralto castrato) | Giovanni Andrea Tassi |
| Astolfo | bass | Gaetano Pinetti |
Read more about this topic: Orlando Furioso (Vivaldi)
Famous quotes containing the word roles:
“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)
“A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.”
—Nancy Chodorow (20th century)