Roles
| Role | Character and Voice type | Premiere cast, 1727 (Conductor: – ) |
|---|---|---|
| Orlando | a knight jealous of Medoro (contralto) | Lucia Lancetti |
| Angelica | beloved of Medoro (soprano) | Benedetta Serosina |
| Alcina | Enchantress (contralto) | Anna Girò |
| Bradamante | female warrior, beloved of Ruggiero (contralto) | Maria Catterina Negri |
| Medoro | Prince betrothed to Angelica (contralto castrato) | Casimiro Pignotti |
| Ruggiero | a knight following Orlando (contralto castrato) | Giovanni Andrea Tassi |
| Astolfo | bass | Gaetano Pinetti |
Read more about this topic: Orlando Furioso (Vivaldi)
Famous quotes containing the word roles:
“Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.”
—Sylvia Ann Hewitt (20th century)
“It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.”
—Eleanore Kendall Pettersen (b. 1916)
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)