Famous quotes containing the words origins of, clubs, earliest, australian, rules, football, origins and/or matches:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The true reformer does not want time, nor money, nor coöperation, nor advice. What is time but the stuff delay is made of? And depend upon it, our virtue will not live on the interest of our money. He expects no income, but outgoes; so soon as we begin to count the cost, the cost begins. And as for advice, the information floating in the atmosphere of society is as evanescent and unserviceable to him as gossamer for clubs of Hercules.”
—Henry David Thoreau (1817–1862)
“From my earliest days I have enjoyed an attractive impediment in my speech. I have never permitted the use of the word “stammer.” I can’t say it myself.”
—Patrick Campbell (1913–1980)
“The Australian mind, I can state with authority, is easily boggled.”
—Charles Osborne (b. 1927)
“For rhetoric, he could not ope
His mouth, but out there flew a trope;
And when he happen’d to break off
I’ th’ middle of his speech, or cough,
H’ had hard words ready to show why,
And tell what rules he did it by;”
—Samuel Butler (1612–1680)
“In this dream that dogs me I am part
Of a silent crowd walking under a wall,
Leaving a football match, perhaps, or a pit,
All moving the same way.”
—Philip Larkin (1922–1986)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“But, most of all, the Great Society is not a safe harbor, a resting place, a final objective, a finished work. It is a challenge constantly renewed, beckoning us toward a destiny where the meaning of our lives matches the marvelous products of our labor.”
—Lyndon Baines Johnson (1908–1973)