Scottish Origins
The connection of Scotland its love of stringed instruments is both ancient and recorded. An Iron Age lyre dating to 2300BC was discovered on the Isle of Skye making it Europes earliest surviving stringed instrument. The earliest descriptions of a European triangular framed harp i.e. harps with a fore pillar are found on carved 8th century Pictish stones. Pictish harps were strung from horsehair. The instruments apparently spread south to the Anglo Saxons who commonly used gut strings and then west to the Gaels of the Highlands and to Ireland. Exactly thirteen depictions of any triangular chordophone instrument from pre-11th century Europe exist and twelve of them come from Scotland. Moreover, the earliest Irish word for a harp is in fact 'cruit', a word which strongly suggests a Pictish provenance for the instrument. Only two quadrangular instruments occur within the Irish context on the west coast of Scotland and both carvings instruments date two hundred years after the Pictish carvings. The first true representations of the Irish triangular harp do not appear till the late eleventh century in reliquary and the twelfth century on stone and the earliest harps used in Ireland were quadrangular lyres as ecclesiastical instruments, One study suggests Pictish stone carvings may be copied from the Utrecht Psalter, the only other source outside Pictish Scotland to display a Triangular Chordophone instrument. The Utrecht Psalter was penned between 816-835 AD. While Pictish Triangular Chordophone carvings found on the Nigg Stone dates from 790-799 AD. and pre-dates the document by up to thirty-five to forty years. Other Pictish sculptures predate the Utrecht Psalter, namely the harper on the Dupplin Cross c. 800 AD.
Read more about this topic: Origin Of The Harp In Europe
Famous quotes containing the words scottish and/or origins:
“I have hardly begun to live on Staten Island yet; but, like the man who, when forbidden to tread on English ground, carried Scottish ground in his boots, I carry Concord ground in my boots and in my hat,and am I not made of Concord dust? I cannot realize that it is the roar of the sea I hear now, and not the wind in Walden woods. I find more of Concord, after all, in the prospect of the sea, beyond Sandy Hook, than in the fields and woods.”
—Henry David Thoreau (18171862)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weedsand one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)